From their 2002 self-titled debut to their 2012 document Kids in the Street, the All-American Rejects grew to become synonymous with pop-punk in the early 2000s. They managed to encapsulate being a chronically sarcastic, usually angsty teen completely — soundtracking each emo child’s old flame in songs like “Dirty Little Secret” and ultimately their first heartbreak in songs like “Gives You Hell.”
Although they’ve a plethora of economic hits from their tenure as a band (reminiscent of the aforementioned hits, in addition to “Move Along,” “Swing, Swing” and “It Ends Tonight”), they’ve fairly a number of different songs which might be simply pretty much as good however tragically didn’t obtain the identical quantity of affection — or airplay. As the All-American Rejects gear as much as go on their first headlining tour in a decade, we’re right here to make a number of solutions for his or her setlist. Here are 10 criminally underrated the All-American Rejects songs, in no specific order.
Read extra: Every All-American Rejects album ranked: From worst to greatest
“One More Sad Song” – The All-American Rejects (2002)
Lead singer Tyson Ritter was simply 18-years-old when he wrote “One More Sad Song,” drawing inspiration from a tough breakup. He touches on the interior turmoil felt when it’s important to let go of somebody you continue to love, singing, “My heart is torn for all to see/Alone with you, alone with me.” The most fascinating a part of the music is that it doesn’t sound like a tragic music in any respect, regardless of its title. The lyrics are melancholy, however they’re disguised by Ritter’s vivid vocals and an upbeat guitar.
“Your Star” – The All-American Rejects (2002)
“Your Star” is certainly one of the least bitter songs a couple of dishonest girlfriend that has ever been written, together with the aforementioned “One More Sad Song.” Ritter inserts a glimpse of his associate’s perspective in the lyrics, acknowledging that each events are feeling that post-breakup sting. That sensitiveness is carried all through the remainder of the group’s self-titled album, highlighted by the maturity in Ritter’s vocals. Plus, there’s a reasonably good guitar solo about midway by way of the monitor, and who doesn’t love that?
“Dance Inside” – Move Along (2005)
Move Along is stuffed with iconic songs, and “Dance Inside” is certainly one of them — even when it didn’t obtain as a lot consideration as “Dirty Little Secret” or “It Ends Tonight.” While love songs should not revolutionary for the All-American Rejects discography by any means, what makes “Dance Inside” particular is that they weren’t lamenting over one thing misplaced. “It’s about passionate love, on a deeper level than I used to write about before,” Ritter informed MTV in 2003.
“Can’t Take It” – Move Along (2005)
The All-American Rejects shut Move Along with the orchestral “Can’t Take It,” taking a soar from the angsty sound they’d change into identified for. The strings that perforate Ritter’s roaring in the music would make the good soundtrack to James Bond evident at somebody throughout a poker desk. Ritter additionally provides a dabble of falsetto in “Can’t Take It,” which units the music over the high — very similar to the skinny slice of a lemon peel in Bond’s Vesper martini.
“Real World” – When the World Comes Down (2008)
“Real World” comes off of the All-American Rejects’ most introspective album, When the World Comes Down. After focusing closely on teenage heartbreak for years, the band dove into extra existential waters. “Real World” is a monitor about rising up in the digital age the place “you’re fed from the TV screen.” Much like the remainder of the album, that’s not the entire story: a determined sense of hope for the future is sprinkled all through the music.
“Damn Girl” – When the World Comes Down (2008)
Now it’s time to neglect all the things we simply mentioned about the All-American Rejects switching up their subject material on When the World Comes Down. Yes, “Damn Girl” is one other breakup music a couple of dishonest girlfriend. But the place “One More Sad Song” and “Your Star” are pretty cordial responses to a cut up, Ritter is a little more bitter on “Damn Girl.” Gone are the days of seeing the different individual’s facet, which does make the music extra cathartic to sing alongside to.
“Someday’s Gone” – Kids in the Street (2012)
To be truthful, “Someday’s Gone” was fairly widespread when it was launched to advertise Kids in the Street in 2012. However, it did not change into an prompt various rock traditional — regardless that it actually ought to have. “Someday’s Gone” is peak AAR. The lyrics are inventive (“I fall like a dead man out of the airplane,” for instance), the outrage in Ritter’s voice is palpable, and the instrumentation is dynamic. It’s all the things you need in an angsty breakup anthem.
“Beekeeper’s Daughter” – Kids in the Street (2012)
Much like “Someday’s Gone,” this music was additionally acquired effectively when it first got here out as the lead single for the identical album. But once more, it solely acquired so far as turning into a high 40 hit on the U.S. Billboard Pop charts, and I imagine it deserved a lot extra. “Beekeeper’s Daughter” represented a shift to a extra lighthearted pop sound in the All-American Rejects’ discography. Plus, should you look carefully you’ll see each YouTuber Trisha Paytas and the legendary “Mr. Entertainment” Wayne Newton featured in the music video.
“There’s a Place” (2015)
After a three-year hiatus following the launch of Kids in the Street in 2012, the All-American Rejects reemerged to drop the surprisingly soothing single “There’s a Place” in 2015. The monitor is way more mellow than something they’d beforehand launched, and Ritter’s voice appeared to have developed one thing of a folksy allure, as in comparison with his typical sarcasm and angst. Though they’d completed it earlier than, “There’s a Place” is the most efficient instance of the All-American Rejects experimenting with their sound.
“Me Vs. The World” (2020)
When the world wanted them the most, the All-American Rejects dropped the energetic “Me Vs. The World” throughout the COVID-19 pandemic. The music brings again fond recollections of the introspective but energetic When the World Comes Down in each the lyrics and instrumentation. As an added perk, the All-American Rejects’ additionally introduced that proceeds from the music can be donated to MusiCares, the Recording Academy’s nonprofit that assists with the well being and well-being of these in the business.
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