Scorsese defined, “After a certain point, I realized I was making a movie about all the white guys. Meaning I was taking the approach from the outside in, which concerned me.” He additionally added, “I had had meetings and dinners with the Osage, and I thought, ‘Well, there’s the story.’ The real story, we felt, was not necessarily coming from the outside, with the bureau, but rather from the inside, from Oklahoma.” (*21*) the rewrite, Scorsese had spent two years writing Killers of the Flower Moon.
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