Lucca Comics & Games, one of many world’s largest comics festivals, held its 2022 Comics Awards final weekend in Italy. Among the winners, two lifetime achievement Maestro/Maestra of Comics profession awards had been bestowed this 12 months – one to Japan’s Riyoko Ikeda and one other to Italy’s Milo Manara. While erotica impresario Manara has beforehand gained awards at Lucca, this appears to be the primary time the 77-year-old has been given the profession award.
Riyoko Ikeda is a prolific mangaka finest recognized worldwide for her romantic eighteenth century French court docket epic The Rose of Versailles – which is lastly obtainable in English through Udon Entertainment. Her profession started within the Nineteen Sixties however actually took off within the Seventies.
The Lucca Awards 2022 jury remarked on the prolonged careers of Manara and Ikeda, and cross cultural themes of their work:
“Riyoko Ikeda and Milo Manara are two masters of comics who idealistically draw a cultural bridge between East and West. In a time of war, which we thought past, giving a signal of hope and peace in an extraordinary way the prize is awarded to these two artists, who have made defiance, curiosity, a strong identifying trait. If Lady Oscar [The Rose of Versailles] stems from reading Stefan Zweig, The Asian Adventures of Giuseppe Bergman reveals a love of the Orient. Two portraits, each with the uniqueness of its own signature, one common frame: the comic strip that binds and makes us dream, without borders.”
Three English-originated works scooped up awards for Italian revealed works – Barry Windsor-Smith‘s Monsters (2021) scored a Special Jury Prize; Peter Kuper‘s Kafkaesque: Fourteen Stories (2018) for Best Short Story or Collection; and R. Kikuo Johnson‘s No One Else (2021) for Best Script.
The Lucca 2022 Book of the Year Award went to Train to Busan director Yeon Sang-ho and artist Choi Gyu-seok‘s manhwa The Hellbound (obtainable in English from Dark Horse Comics).
According to the jury,
“The Hellbound achieves the dual goal of entertaining and making people think, recounting through a fast-paced plot a society in which the circulation of unverified news and the prominence the media gives it become an instrument of repression and violence. The work also testifies to the great vitality of South Korea as a producer of comic books, as well as films and TV series, capable of winning over international audiences.”
Spanish cartoonist Paco Roca‘s latest book, Spanish civil war family drama Ritorno all’Eden [‘Return to Eden‘] earned him the prestigious Autore dell’anno [Author of the Year] Yellow Kid. The e book shouldn’t be at present obtainable in English however since a lot of his again catalogue is on the market, one would hope to anticipate it within the close to future.
The jury for the 2022 Lucca Comics Awards comprised artists Werther Dell’Edera and Miguel Vila; author, journalist and lecturer Bruno Luverà; longtime pageant collaborator and knowledgeable Dario Dino-Guida; and comics scholar Mara Famularo.
The Lucca Comics Awards happen yearly on the Lucca Comics & Games Festival, often the ultimate weekend of October. The intent of the awards is to “reward the best comic books published every year in Italy and their authors, regardless of nationality, editorial format and distribution method.”
The Lucca Festival has been in existence – by means of many iterations – since 1965. From 1970 the Festival has been bestowing units of Yellow Kid and Gran Guinigi Awards, the primary named after Richard F. Outcault’s well-known early comics character and the latter after a neighborhood landmark of the town. There are three Yellow Kid and 5 Gran Guinigi awards – with a particular Gran Guinigi named after former pageant director Stefano Beani bestowed to editorial cartooning initiatives.
You can take a look at the award winners in full beneath.
2022 Lucca Comics Awards
Note: works obtainable in English are indicated. Those not obtainable in English have free DeepL machine-translated synopses offered.
Yellow Kid Maestro/Maestra del Fumetto [‘Master of Comics’] Awardees
Riyoko Ikeda & Milo Manara
Lucca [translated via DeepL]:
“Riyoko Ikeda and Milo Manara are two masters of comics who idealistically draw a cultural bridge between East and West. In a time of war, which we thought past, giving a signal of hope and peace in an extraordinary way the prize is awarded to these two artists, who have made defiance, curiosity, a strong identifying trait. If Lady Oscar stems from reading Stefan Zweig, The Asian Adventures of Giuseppe Bergman reveals a love of the Orient. Two portraits, each with the uniqueness of its own signature, one common frame: the comic strip that binds and makes us dream, without borders.”
Yellow Kid Fumetto dell’anno [‘Comic of the Year’]
The Hellbound, Yeon Sang-ho & Choi Gyu-seok, Panini Comics (revealed in English with Dark Horse Comics)
Lucca:
“The Hellbound achieves the dual goal of entertaining and making people think, recounting through a fast-paced plot a society in which the circulation of unverified news and the prominence the media gives it become an instrument of repression and violence. The work also testifies to the great vitality of South Korea as a producer of comic books, as well as films and TV series, capable of winning over international audiences.”
Yellow Kid Autore dell’anno [‘Author of the Year’]
Paco Roca, for Ritorno all’Eden [‘Return to Eden‘], Tunué
Many of the Spanish cartoonist’s works can be found in English – The Treasure of the Black Swan (2022), Winter of the Cartoonist (2020), The House (2019), Twists of Fate (2018), The Lighthouse (2017), Wrinkles (2015) from NBM, Knockabout, and Fantagraphics – so Ritorno all’Eden will hopefully come out in translation quickly.
Lucca:
“For the consistency with which he continues to put “ordinary” folks on the middle of the narrative who’re capable of arouse deep feelings within the reader. And for bringing to full maturity a vital and eloquent graphic language able to exhibiting with out explaining.”
Book Synopsis (Translated from Italian version):
“From a 1946 family photo on the old Nazareth beach in Valencia, Paco Roca draws a fresco on postwar Spain through a humble family-a reflection of the vast majority of society that survived the Franco dictatorship-with serious problems making a livelihood. The author delves us into the mother’s idealized past, but is this really the case? Why is the father not in the picture? What backstory will be revealed?”
Premio speciale della Giuria [Special Jury Prize]
Mostri [Monsters], Barry Windsor-Smith, Mondadori
The multi-award successful e book that debuted in English in 2021 continues to attract acclaim in translation.
Lucca:
“A monumental achievement, the result of decades of work and hardly ascribable to a defined genre, it overwhelms the reader with its characters suspended between obsession and tragedy and, above all, with the extraordinary scratched black-and-white drawing that brings to light every minute detail.”
Gran Guinigi Miglior fumetto breve o raccolta [Best Short Comics or Collection]
Gli incubi di Kafka [‘Kafka’s Nightmares‘], Peter Kuper, Tunué
Published in English as with W. W. Norton.
Lucca:
“With fierce black and white and expressionistic brushstrokes, Kuper succeeds in transposing Kafka’s tales from early 20th-century Central Europe to contemporary New York, reaffirming the universality of a literary classic with the language of comics.”
Gran Guinigi Miglior fumetto seriale [Best Series]
Cosma & Mito, Nicola Zurlo & Vincenzo Filosa, Coconino Press
Begun in 2019, with the second quantity seeing publication this 12 months, Cosma & Mita is eligible for the Best Series award. Thus far not obtainable in English.
Lucca:
“A highly original experiment that combines Japanese-inspired graphic and narrative stylistic features with stories and characters drawn from Calabrian folklore in order to construct a decidedly bizarre yet close fantasy world of our own into which the reader cannot help but venture.”
Translated synopsis of quantity one:
“Cosma and Mito, mother and child, struggle and hope. A octopus-child who is kidnapped by a tribe of werewolves, a murderous mother who sets out on a desperate search for him, an ultra-pop and ancestral fable at once, in which destiny is written in the blood that runs through one’s veins and the blood one pours out in the name of one’s choices. Set in a contemporary and archaic Calabria where local folklore is permeated with elements characteristic of Japanese fiction, Cosma & Mito is the fictional adventure of the future: as solid as a wooden spoon, as surprising as a game of laser tag.”
Gran Guinigi Miglior disegno [Best Illustrator]
Gaëlle Geniller for Le Jardin, Paris, Edizioni Star Comics
Le Jardin, Paris shouldn’t be at present obtainable in English.
Lucca:
“Through a clean and harmonious style of drawing, particularly memorable in the dance scenes, and a flowing and readable narrative sequence, the author offers a fresh and effective reworking of the Art Deco language, managing to restore all the charm of 1920s Paris.”
Synopsis:
“1920s. Le Jardin [‘The Garden’] is a very successful Parisian cabaret. All the girls who work there are named after flowers, and there is a truly familial atmosphere. Rose, an almost 18-year-old boy, was born and raised in that environment: he really wants his time to come to perform on stage, in front of an audience. Just like his friends do. Before long, Rose will become the club’s main attraction.”
Gran Guinigi Miglior sceneggiatura [Best Script]
R. Kikuo Johnson for Nessun altro (No One Else), Coconino Press
Originally revealed in English as No One Else, 2021, from Fantagraphics
Lucca:
“The author surprises with a pure and flowing narrative supported more by pauses and silences than by dialogue. It is this simple yet well-calibrated rhythm that best tells an ordinary but intense story set on the outskirts of a Hawaiian island.”
Gran Guinigi Miglior esordiente [Best Newcomer]
Giorgia Kelley for Strange Rage, Rizzoli Lizard
Lucca:
“For the simplicity and effectiveness with which she portrays the restlessness and bewilderment of a generation that cannot find peace despite having nothing to rage against, managing to put a fresh spin on the classic formula of the coming-of-age story.”
Synopsis:
“Gloria and Anna are two younger pals. Tying them collectively, moreover their widespread hatred for individuals who put on rock band T-shirts, is their latest previous. Both, actually, left Italy just a few years in the past to hunt their fortune in England, in Manchester. One night, throughout yet one more boring occasion, the 2 run into Leo. He can be an Italian expat like them, and they begin chatting. Suddenly, a lady journeys and sends her glass of crimson wine flying onto Gloria’s snow-white T-shirt: an excellent motive to take off.
“Under the guise of going to a 24/7 shopping mall to buy a new T-shirt, the three set off on a journey in the middle of the night, telling each other about their experiences: their reasons for leaving Italy, their first contacts with the British, and their need to break free from their families without becoming “grown-ups” and carving out their very own lives. Along the way in which they may come throughout conditions and incidents that can trigger them to rethink a few of their positions and notice much more how a lot they want their friendship. A narrative that condenses an authentic and edgy coming-of-age novel into just a few hours of late-night wandering.”
Gran Guinigi per un’iniziativa editoriale [Editorial Cartooning Initiatives] – Premio Stefano Beani ex aequo
La Revue Dessinée Italia
The Italian offshoot of the French graphic journalism periodical La Revue Dessinée (comparable stylistically to The Nib Magazine).
Lucca:
“Because it rethinks for the benefit of the Italian public a model of graphic journalism in a periodical format, with well-articulated investigations that are always closely related to current events, reconfirming how comics continue to be a valuable tool for reflecting on the contemporary world.”
Comics & Science, by CNR Edizioni/Feltrinelli Comics
Lucca:
“For the balance achieved between popularization and entertainment and the ability to grow over time, involving numerous well-known names in Italian comics and structuring itself as a wide-ranging project, as well as one of undisputed educational value.”
Discussion about this post