On the evening of the discharge of Confessions of the Fallen — Staind’s first studio album in 12 years — Aaron Lewis admitted he was feeling one thing he hadn’t felt in a very long time.
“It’s a funny thing, this industry,” he informed Chuck Armstrong on Loudwire Nights Friday evening (Sept. 22). “We had huge success on Break the Cycle. I think before Break the Cycle came out, that was the last time I kind of felt like this.”
Lewis admitted it’d simply be due to the time that has handed between 2011’s Staind and their new LP, however he thinks the sensation is extra associated to the truth that the band was at all times chasing the success of their third studio album.
“This feels different … I feel the way I felt before Break the Cycle came out.”
Confessions of the Fallen Features Classic Staind Sound That’s Evolved
While Confessions of the Fallen will little question deliver followers again to an earlier sound of Staind harking back to each Break the Cycle and its predecessor, Dysfunction, they’re going to additionally shortly choose up on fashionable components that Staind have by no means included on an album earlier than.
Some might imagine these items have been added after the very fact, however Lewis is proud to say they’re foundational to how Confessions of the Fallen was created.
“The production value that you hear is actually the skeletal structure of the songs. Mike [Mushok] sent me a whole bunch of ideas and I had extra time on my hands so I started working with these programmed beats and stuff like that. I took these ideas and I started chopping them up into little pieces and me and my friend Paul, we basically created the landscape with programming and the ideas that Mike had sent. We created the canvas, if you will.”
After that course of and constructing out the “canvas” with the remainder of the band, they sat with all the things for some time. Then with all the programmed items, Mushok, bassist Johnny April and drummer Sal Giancarelli performed their components dwell — and so they did that, for essentially the most half, remotely.
“Everybody did it from their own space and everybody had their own space to be comfortable in and not feel like anyone else in the band was questioning or judging or breathing down their neck,” Lewis stated.
“Sometimes the process of writing a record in the past has been us stuffed all together for six months in the studio. This gave us time. This gave us freedom to come up with all of this stuff.”
Why Aaron Lewis Says He Has the Best Fans
In one of the poignant moments within the dialog with Chuck, Lewis opened up about his private battle with self-confidence and why it is tougher for him to speak about his emotions than it’s to “show his insides” onstage for 1000’s of followers to listen to.
“I can’t believe for one second that I’m the one that’s in control of this crazy ride I’ve been on,” he confessed. “I didn’t do anything out of the ordinary to deserve it. I have hit the lottery over and over and over and over and over and over and that’s what’s made up my career … I can’t believe that this has all been in my hands. There’s no way. There’s no way.”
Along with that perspective and angle, one other factor that has helped Lewis alongside the way in which has been the help and belief of his followers.
To finest illustrate that help and belief, Lewis shared a narrative a couple of solo present he’ll always remember in Boston.
“I was expecting there to be a ton of people from my home area, there always was,” he stated. “For some reason, that show, nobody [from my home] was there. And I played this song that makes local references and every time I would hit that local reference, all the people that were from where I was would all cheer.”
Because no one from his house was there, the primary time he hit that native reference, he heard nothing however crickets.
“My bottom lip started going and every time I tried to sing, it would just squawk because I was trying not to cry. The whole place took over singing the song for me. Every time I would come to a spot where I thought I could try to start singing again and my voice would crack and my bottom lip would go again — I somehow made it through the song with the help of everybody.”
READ MORE: Mike Mushok Couldn’t Be Happier With Staind’s New Album
When he completed the music, he known as his guitar participant up and had him play and as he admitted, “I lost it. I lost it for three-quarters of the fucking song that he played.”
He ultimately was capable of get again on stage and performed six or seven extra songs, however essentially the most highly effective second for Lewis got here after the present when he realized no one filmed his battle.
“There’s no video footage of that on YouTube, on the internet, anywhere. I have amazing fans — they knew that was a moment and they knew that they needed to protect me in that moment and they let it go and they didn’t post it.”
What Else Did Aaron Lewis Discuss on Loudwire Nights?
- The story of Sal Giancarelli and why he was the one one that might step in as Staind’s drummer: “Sal’s been with us from pretty much the beginning.”
- What it was like seeing Brad Golowin’s music video interpretation of “Here and Now”
- The distinction between performing with Staind and singing by himself as a solo act
Listen to the Full Interview within the Podcast Player Below
Aaron Lewis joined Loudwire Nights on Friday, Sept. 22; the present replays on-line right here, and you’ll tune in dwell each weeknight at 7PM ET or on the Loudwire app; it’s also possible to see if the present is on the market in your native radio station and take heed to interviews on-demand. Stream Confessions of the Fallen at this location after which stay up-to-date with all the things taking place in Staind’s world right here.
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