
Bradley Cooper Dimitrios Kambouris/WireImage
Bradley Cooper has a distinctive algorithm whereas he’s directing, together with “no chairs” on set.
“For me, it was such a natural transition, once I had the courage to write and direct a movie. But when I direct, I don’t watch playback. There’s no chairs,” Cooper, 48, advised Spike Lee about filming Maestro in an interview for Variety printed on Wednesday, December 14. “I’ve always hated chairs on sets; your energy dips the minute you sit down in a chair.”
Considering filming can sometimes encompass 12 to 16-hour days, Cooper’s dedication to maintaining his actors within the second actually appears intense, which he understands. He admitted he “changed” in the course of the strategy of filming, and he wasn’t shocked if his movie wasn’t liked by all viewers.
“I will say this about Maestro: I grew up on this movie,” he continued. “It modified me as an artist. And individuals could not prefer it. I’m certain they received’t.
In addition to no chairs, the American Hustle actor additionally famous that “there’s no video village” on set, which alludes to him taking out the screens that normally encompass the director whereas filming.
Cooper directed and starred in Maestro as composer and conductor Leonard Bernstein reverse Carey Mulligan, who performed the music legend’s spouse, Felicia Montealegre Cohn Bernstein. The star-studded solid additionally included Matt Bomer (David Oppenheim), Maya Hawke (Jamie Bernstein), Sarah Silverman (Shirley Bernstein), Jeremy Strong (John Jonas Gruen), and Sam Nivola (Alexander Bernstein). Maestro marks Cooper’s second main movement image directing gig since 2018’s A Star Is Born.
Cooper praised “thoroughbred actor” Mulligan, 38, for her expertise and dedication.

Carey Mulligan and Bradley Cooper attend Netflix’s ‘Maestro’ Los Angeles photograph name on December 12, 2023. Andrew Toth/FilmMagic
“I wasn’t focused half the day trying to get Carey Mulligan to a place where I believed that she was serving Felicia Montealegre’s needs. She put the work in. And there’s very demanding scenes in this movie,” he defined. “There’s a fight scene that lasts three or four minutes where it’s one wide shot. Also, I have a push-in that lasts four minutes where she’s receiving guests when she’s dying of cancer. And I told her, I said, ‘Look, I don’t want to cut from this.’ Because she has such a skill set as an actor, because she understands rhythm, we were able to make music together as Lenny and Felicia.”
Of course, Cooper is much from the primary director to have distinctive guidelines on set. In truth, he’s not even the one director who is thought for banning chairs. Anne Hathaway mentioned director Christopher Nolan additionally doesn’t permit chairs on set, explaining, “If you have chairs, people will sit, and if they’re sitting, they’re not working,” in a 2020 episode of Variety’s “Actors on Actors.”
The Oppenheimer director’s workforce denied claims and mentioned Nolan personally chooses to not sit whereas working on set.
“For the record, the only things banned from [Nolan’s] sets are cell phones (not always successfully) and smoking (very successfully),” the director’s spokesperson Kelly Bush Novak advised IndieWire on the time. “The chairs Anne was referring to are the director’s chairs clustered around the video monitor, allocated on the basis of hierarchy not physical need. Chris chooses not to use his but has never banned chairs from the set.”
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