TVLine’s annual advocacy interval referred to as Dream Emmy season has commenced! As per custom, we’re launching the three-week occasion with the Outstanding Drama Series race and this very acquainted query: Is Succession unbeatable?
Without query, the HBO phenom — coming off a really well-received fourth and closing season — is the frontrunner to take house the highest drama prize (because it did in 2020 and 2022). However, two different super-buzzy HBO dramas — we’re you, The Last of Us and The White Lotus — may simply play spoiler.
The larger query, in fact, is whether or not any of the aforementioned sequence deserve to be within the working for TV’s highest honor (as a result of, reminder, these are suggestions, not predictions). And that’s the place we are available!
Scroll by the checklist under to overview all of our Dream Nominees after which inform us if our picks warrant a “Hell, yes!,” “Um, no” or “How could you leave off such-and-such?!”
For the report, 2023 Emmy nominations will likely be voted on from June 15-26, and unveiled on July 12. The seventy fifth Primetime Emmy Awards ceremony is scheduled to air on Monday, Sept. 18 on Fox.
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Andor (Disney+)
Image Credit: Courtesy of Disney+ WHY IT DESERVES A NOD: Taking its cue from the movie Rogue One, for which the two-season sequence serves as a prequel, Andor is a grounded, slow-burn espionage story populated by partaking characters each acquainted (Rogue One star Diego Luna’s Andor, franchise vet Genevieve O’Reilly’s Mon Mothma) and new. And visually, Andor was downright transporting, abandoning the flat, digital backdrops of The Mandalorian to as an alternative situate characters on lush, precise landscapes or contained in the dirty alleys of Ferrix. Mando and Sir Din Grogu are enjoyable to burn up time with, however Andor is the Star Wars sequence many followers have been searching for.
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Better Call Saul (AMC)
Image Credit: Courtesy of AMC WHY IT DESERVES A NOD: This is Saul‘s last chance to grasp Emmy gold after going home empty-handed on a whopping 46 total nominations so far — and it’s exhausting to think about a extra convincing closing assertion. In the rivetingly tense closing season, we stated goodbye to key characters in stunning trend, reunited with acquainted faces (hello, Walt and Jesse!) and noticed the injury attributable to Jimmy’s sins in an prolonged black-and-white flash-forward. (Bob Odenkirk and Rhea Seehorn have been by no means higher.) Plus, all of it wrapped up with a supremely satisfying sequence finale that even rivaled Breaking Bad‘s personal celebrated swan track.
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The Boys (Prime Video)
Image Credit: Courtesy of Prime Video WHY IT DESERVES A NOD: With all of the hype surrounding the superhero drama’s audacious content material in Season 3 (see: the premiere’s exploding penis, the “Herogasm” episode), it’s simple to neglect that beneath all of the gory and specific scenes is a sharply written and highly effective satire. But simply rewatch Homelander’s Trump-esque triumph within the season finale and take a look at to not get chills. Combine that with revolutionary turns like Black Noir’s animated backstory and surprisingly emotional twists (something with Kimiko and Frenchie seizes our hearts), and also you’ve acquired a sequence that not solely is aware of methods to shock, but additionally continues to push itself to new depths.
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The Last of Us (HBO)
Image Credit: Courtesy of HBO WHY IT DESERVES A NOD: How’s this for a cheat code? Executive producers Neil Druckmann and Craig Mazin blended a cracking-good forged (led by Pedro Pascal and Bella Ramsey), spare-yet-evocative writing and loving devotion to/willingness to deviate from the supply materials — a post-apocalyptic, zombie online game! — all to create one of many most interesting dramas we’ve seen in years. Honestly? Give ‘em the trophy for that Episode 3 diversion alone, a tour de power from visitor stars Murray Bartlett and Nick Offerman that nonetheless makes us weep each time we see a strawberry patch.
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Snowfall (FX)
Image Credit: Courtesy of FX WHY IT DESERVES A NOD: FX’s charming drama, set in the course of the top of the Nineteen Eighties crack epidemic, closed out its run on a sequence excessive as Franklin lastly acquired what was coming to him, ending up broke and wandering the neighborhood he destroyed with medicine. We have been moved by Damson Idris’ career-defining efficiency in the course of the once-promising vendor’s unsettling downward spiral, and left breathless by the present’s sobering ending that eloquently captured the devastating results of habit. A very excellent crime story highlighted by an ultra-talented forged, gorgeous cinematography and people unforgettable needle drops, Snowfall has earned its spot as one of many all-time greats within the style.
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Star Trek: Picard (Paramount+)
Image Credit: Courtesy of Paramount+ WHY IT DESERVES A NOD: Picard‘s third and final season gave us what we wanted all along: a full-on Next Generation reunion, with Patrick Stewart reteaming with his old co-stars for one final mission in the stars. It wasn’t only a nostalgia journey, although: The closing season pushed Jean-Luc and his Enterprise friends to new emotional heights with the introduction of a son Jean-Luc by no means knew he had, together with a badass villain in Amanda Plummer’s Vadic. Plentiful Easter eggs and enjoyable cameos made the season a Trekkie’s delight, and the epic sequence finale gave the Enterprise crew the grand send-off they’ve at all times deserved.
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Succession (HBO)
Image Credit: Courtesy of HBO WHY IT DESERVES A NOD: We have been unhappy to listen to that HBO’s company drama was ending, however we trusted sequence creator Jesse Armstrong to stay the touchdown — and boy, did he. In Season 4, we have been ready to look at the Roy household battle it out, solely to have the wind knocked out of us by the devastatingly abrupt demise of patriarch Logan. (Put “Connor’s Wedding” proper up there with the very best TV drama episodes ever.) But the household heat was short-lived, and the Roy siblings turned on one another as they struggled to flee their father’s immense shadow. Like Logan Roy himself, Succession went out on high.
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The White Lotus (HBO)
Image Credit: Courtesy of HBO WHY IT DESERVES A NOD: We’re very a lot on board with taking an annual trip with Mike White’s sharply noticed social satire, particularly since Season 2 served up extra of the present’s exquisitely awkward class warfare, however with an attractive European aptitude. Of course it was a pleasure to spend extra time with Jennifer Coolidge as pampered goofball Tanya, however we really preferred attending to know newcomers like Meghann Fahy’s Daphne and Haley Lu Richardson’s Portia, too. It all performed out like an Italian intercourse farce, with a number of carnal misunderstandings giving us a captivating thriller to untangle, constructing as much as a murderous, um, climax.
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