Years in the past, Good Charlotte poked their heads exterior of the pop-punk bubble and understood there was a world of work to be completed, each within the business and on themselves. Today, the Maryland-born brothers boast a protracted record of entrepreneurial endeavors within the final decade-plus, each earlier than and after their final launch as Good Charlotte, with 2018’s Generation Rx. Amid the accolades they proceed so as to add to a rising roster, Good Charlotte have develop into virtually a ardour mission, for once they have the time and need to dip their toes again in, typically simply to present again to followers who’ve continued to point out love for GC.
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In dialog with Anna Zanes, Joel and Benji Madden open up in regards to the completely different phases of their influential band. “The idea that always comes to my mind about everything that we do or have done — the theme of what injured us, what we thought was our weakness, what our trauma was — always ends up being our strength,” Joel says. “The thing that I would underscore is purpose. When you think about us now being of service to artists, it’s only because in the early stages of our career, we felt a need for someone to teach us, protect us, tell us the truth, which we couldn’t find often.”
Preorder your copy right this moment, and get an unique vinyl variant of Good Charlotte’s The Young and the Hopeless, restricted to 500 copies, right here.
The Fall 2023 Issue additionally comes with three alternate collectible covers, that includes Scowl, Yves Tumor, and Poppy, in addition to tales on Jean Dawson, Shapel Lacy and Toby Morse, Genesis Owusu, and extra.
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