House of the Dragon recap: Rhaenyra finally dances with dragons

“When dragons fly to war,” Rhaenyra cautions her husband, Prince Daemon, “everything burns.”

Throughout the season finale, solely the newly topped queen alone appears to know the gravity of selecting to push again in opposition to the usurpation of her crown. She alone weighs diplomatic choices as much as and together with capitulation quite than threat plunging Westeros right into a warfare in contrast to something it’s ever identified. Against the warmongering of her bannermen and consort, the provocations of her outdated enemy Otto Hightower, and even the temptation of the godlike harmful energy her faction’s dragons afford her, Rhaenyra stands agency. Emma D’Arcy brings an amazing subtlety to Rhaenyra’s struggles all through the episode, from their wry, questioning smile at Lucerys’ concern of his future obligations to their expression of mingled loss and hope at receiving proof of Alicent’s continued love in the kind of a childhood memento. Peace holds the promise of love, of kids, of honoring her father’s peaceable legacy and perception in the Conqueror’s Dream. War dangers all.

Photo: Ollie Upton/HBO

Yet the world, as Rhaenyra tells her center youngster, has no regard for our plans. First, a painful and draining miscarriage prices Rhaenyra her unborn daughter. Watching the sweat-soaked and bloody lady cradle the deformed physique in her arms, it’s arduous to not suppose of it as an omen of issues to return, a shadow solid by all the innocents whose lives a warfare between the rival monarchs would undoubtedly minimize quick. The warfare additionally drives a wedge between Rhaenyra and her husband, exposing Daemon’s violent insecurities as he confronts each his personal immaturity and his jealousy over his spouse’s closeness with his late brother, the king. The scene through which Daemon assaults his queen is one of the season’s most upsetting, a showcase for Matt Smith’s potential to concurrently seethe and dissociate from his environment. It’s an unpleasant distinction to the heat between Lord Corlys and Princess Rhaenys, who even in battle share an evident heat and solidarity. No such understanding is forthcoming from Daemon, and it appears Rhaenyra dangers her marriage by holding again from the bloodshed he craves.

Image: Ollie Upton/HBO

Director Greg Yaitanes frames this parade of loss and unrest with painterly precision, and the episode’s shade grading is amongst the collection’ finest to date, with wealthy, darkish reds and sickly grays predominating in opposition to backdrops of dramatic black and bleach-light blue. “The Black Queen” takes care to straight affiliate the Targaryens with their dragon by means of clever framing and intercutting. During Rhaenyra’s troublesome labor we see flashes of Syrax bellowing in sympathy with her rider. When Daemon menaces the knights of the Kingsguard, Caraxes’ huge head fills the body behind him, a scene echoed by a later sequence through which Daemon rouses the historical dragon Vermithor and the two seem mirrored in one another’s eyes, twin incarnations of heedless energy and destruction.

The episode’s visible language asks us to think about who precisely is asking the pictures right here. Is it the Targaryens, pushed as a lot by outdated grudges and infatuations as by any bigger sense of responsibility? Is it the dragons themselves, which, like the proverbial blade, incite to violence by their very existence? The reply, as a lot as one could be extricated from the tangle of guts and screaming that closes out the episode’s centerpiece motion scene, is that the worst of each events has the rudder. The venal pettiness of the royal household, the outsize energy their dragons afford them, and their complete lack of expertise with actual violence and its penalties come collectively in a literal deadly collision. Watching Aemond and Lucerys scream in terror as their dragons, pushed too arduous by Aemond’s merciless sport of hen, activate each other is a gut-wrenching sight, and Yaitanes builds stress throughout their airborne encounter with brutal, hard-hitting precision and a bodily harrowing sense of velocity. When the closing explosion of blood and gore hits house it’s nearly a aid, till you begin to consider what comes subsequent.

Photo: HBO

Rubber meets highway, the thought of a peaceable decision to the succession disaster goes to shreds in the area of an instantaneous, and Rhaenyra is left gutted by betrayal and grief. She’s misplaced not solely her son, however her sense of security in her marriage and her probability at any type of rekindling of her connection with Alicent. At the similar time she’s gained bannermen, the essential assist of House Velaryon, and the allegiance of an extra knight of the Kingsguard. Even earlier than she learns of Lucerys’ demise, marching to warfare has turn into far more believable. D’Arcy’s final look into the digital camera is haunting, a surer portent of issues to return than any prophetic dream or lofty speech about the good of the realm. Throughout the episode we see Rhaenyra push time and again for peace, for the uneasy and infrequently disappointing path of compromise. But what lies ready below Dragonstone, its ragged wings furled in the darkish, its furnace breath scorching the cavern partitions? What beast by firelight shines mirrored in Daemon’s eyes at the same time as he shines in its personal?

We know what’s coming. Vengeance. Justice. Fire and blood.

“When dragons fly to war,” Rhaenyra cautions her husband, Prince Daemon, “everything burns.”

Throughout the season finale, solely the newly topped queen alone appears to know the gravity of selecting to push again in opposition to the usurpation of her crown. She alone weighs diplomatic choices as much as and together with capitulation quite than threat plunging Westeros right into a warfare in contrast to something it’s ever identified. Against the warmongering of her bannermen and consort, the provocations of her outdated enemy Otto Hightower, and even the temptation of the godlike harmful energy her faction’s dragons afford her, Rhaenyra stands agency. Emma D’Arcy brings an amazing subtlety to Rhaenyra’s struggles all through the episode, from their wry, questioning smile at Lucerys’ concern of his future obligations to their expression of mingled loss and hope at receiving proof of Alicent’s continued love in the kind of a childhood memento. Peace holds the promise of love, of kids, of honoring her father’s peaceable legacy and perception in the Conqueror’s Dream. War dangers all.

Photo: Ollie Upton/HBO

Yet the world, as Rhaenyra tells her center youngster, has no regard for our plans. First, a painful and draining miscarriage prices Rhaenyra her unborn daughter. Watching the sweat-soaked and bloody lady cradle the deformed physique in her arms, it’s arduous to not suppose of it as an omen of issues to return, a shadow solid by all the innocents whose lives a warfare between the rival monarchs would undoubtedly minimize quick. The warfare additionally drives a wedge between Rhaenyra and her husband, exposing Daemon’s violent insecurities as he confronts each his personal immaturity and his jealousy over his spouse’s closeness with his late brother, the king. The scene through which Daemon assaults his queen is one of the season’s most upsetting, a showcase for Matt Smith’s potential to concurrently seethe and dissociate from his environment. It’s an unpleasant distinction to the heat between Lord Corlys and Princess Rhaenys, who even in battle share an evident heat and solidarity. No such understanding is forthcoming from Daemon, and it appears Rhaenyra dangers her marriage by holding again from the bloodshed he craves.

Image: Ollie Upton/HBO

Director Greg Yaitanes frames this parade of loss and unrest with painterly precision, and the episode’s shade grading is amongst the collection’ finest to date, with wealthy, darkish reds and sickly grays predominating in opposition to backdrops of dramatic black and bleach-light blue. “The Black Queen” takes care to straight affiliate the Targaryens with their dragon by means of clever framing and intercutting. During Rhaenyra’s troublesome labor we see flashes of Syrax bellowing in sympathy with her rider. When Daemon menaces the knights of the Kingsguard, Caraxes’ huge head fills the body behind him, a scene echoed by a later sequence through which Daemon rouses the historical dragon Vermithor and the two seem mirrored in one another’s eyes, twin incarnations of heedless energy and destruction.

The episode’s visible language asks us to think about who precisely is asking the pictures right here. Is it the Targaryens, pushed as a lot by outdated grudges and infatuations as by any bigger sense of responsibility? Is it the dragons themselves, which, like the proverbial blade, incite to violence by their very existence? The reply, as a lot as one could be extricated from the tangle of guts and screaming that closes out the episode’s centerpiece motion scene, is that the worst of each events has the rudder. The venal pettiness of the royal household, the outsize energy their dragons afford them, and their complete lack of expertise with actual violence and its penalties come collectively in a literal deadly collision. Watching Aemond and Lucerys scream in terror as their dragons, pushed too arduous by Aemond’s merciless sport of hen, activate each other is a gut-wrenching sight, and Yaitanes builds stress throughout their airborne encounter with brutal, hard-hitting precision and a bodily harrowing sense of velocity. When the closing explosion of blood and gore hits house it’s nearly a aid, till you begin to consider what comes subsequent.

Photo: HBO

Rubber meets highway, the thought of a peaceable decision to the succession disaster goes to shreds in the area of an instantaneous, and Rhaenyra is left gutted by betrayal and grief. She’s misplaced not solely her son, however her sense of security in her marriage and her probability at any type of rekindling of her connection with Alicent. At the similar time she’s gained bannermen, the essential assist of House Velaryon, and the allegiance of an extra knight of the Kingsguard. Even earlier than she learns of Lucerys’ demise, marching to warfare has turn into far more believable. D’Arcy’s final look into the digital camera is haunting, a surer portent of issues to return than any prophetic dream or lofty speech about the good of the realm. Throughout the episode we see Rhaenyra push time and again for peace, for the uneasy and infrequently disappointing path of compromise. But what lies ready below Dragonstone, its ragged wings furled in the darkish, its furnace breath scorching the cavern partitions? What beast by firelight shines mirrored in Daemon’s eyes at the same time as he shines in its personal?

We know what’s coming. Vengeance. Justice. Fire and blood.

“When dragons fly to war,” Rhaenyra cautions her husband, Prince Daemon, “everything burns.”

Throughout the season finale, solely the newly topped queen alone appears to know the gravity of selecting to push again in opposition to the usurpation of her crown. She alone weighs diplomatic choices as much as and together with capitulation quite than threat plunging Westeros right into a warfare in contrast to something it’s ever identified. Against the warmongering of her bannermen and consort, the provocations of her outdated enemy Otto Hightower, and even the temptation of the godlike harmful energy her faction’s dragons afford her, Rhaenyra stands agency. Emma D’Arcy brings an amazing subtlety to Rhaenyra’s struggles all through the episode, from their wry, questioning smile at Lucerys’ concern of his future obligations to their expression of mingled loss and hope at receiving proof of Alicent’s continued love in the kind of a childhood memento. Peace holds the promise of love, of kids, of honoring her father’s peaceable legacy and perception in the Conqueror’s Dream. War dangers all.

Photo: Ollie Upton/HBO

Yet the world, as Rhaenyra tells her center youngster, has no regard for our plans. First, a painful and draining miscarriage prices Rhaenyra her unborn daughter. Watching the sweat-soaked and bloody lady cradle the deformed physique in her arms, it’s arduous to not suppose of it as an omen of issues to return, a shadow solid by all the innocents whose lives a warfare between the rival monarchs would undoubtedly minimize quick. The warfare additionally drives a wedge between Rhaenyra and her husband, exposing Daemon’s violent insecurities as he confronts each his personal immaturity and his jealousy over his spouse’s closeness with his late brother, the king. The scene through which Daemon assaults his queen is one of the season’s most upsetting, a showcase for Matt Smith’s potential to concurrently seethe and dissociate from his environment. It’s an unpleasant distinction to the heat between Lord Corlys and Princess Rhaenys, who even in battle share an evident heat and solidarity. No such understanding is forthcoming from Daemon, and it appears Rhaenyra dangers her marriage by holding again from the bloodshed he craves.

Image: Ollie Upton/HBO

Director Greg Yaitanes frames this parade of loss and unrest with painterly precision, and the episode’s shade grading is amongst the collection’ finest to date, with wealthy, darkish reds and sickly grays predominating in opposition to backdrops of dramatic black and bleach-light blue. “The Black Queen” takes care to straight affiliate the Targaryens with their dragon by means of clever framing and intercutting. During Rhaenyra’s troublesome labor we see flashes of Syrax bellowing in sympathy with her rider. When Daemon menaces the knights of the Kingsguard, Caraxes’ huge head fills the body behind him, a scene echoed by a later sequence through which Daemon rouses the historical dragon Vermithor and the two seem mirrored in one another’s eyes, twin incarnations of heedless energy and destruction.

The episode’s visible language asks us to think about who precisely is asking the pictures right here. Is it the Targaryens, pushed as a lot by outdated grudges and infatuations as by any bigger sense of responsibility? Is it the dragons themselves, which, like the proverbial blade, incite to violence by their very existence? The reply, as a lot as one could be extricated from the tangle of guts and screaming that closes out the episode’s centerpiece motion scene, is that the worst of each events has the rudder. The venal pettiness of the royal household, the outsize energy their dragons afford them, and their complete lack of expertise with actual violence and its penalties come collectively in a literal deadly collision. Watching Aemond and Lucerys scream in terror as their dragons, pushed too arduous by Aemond’s merciless sport of hen, activate each other is a gut-wrenching sight, and Yaitanes builds stress throughout their airborne encounter with brutal, hard-hitting precision and a bodily harrowing sense of velocity. When the closing explosion of blood and gore hits house it’s nearly a aid, till you begin to consider what comes subsequent.

Photo: HBO

Rubber meets highway, the thought of a peaceable decision to the succession disaster goes to shreds in the area of an instantaneous, and Rhaenyra is left gutted by betrayal and grief. She’s misplaced not solely her son, however her sense of security in her marriage and her probability at any type of rekindling of her connection with Alicent. At the similar time she’s gained bannermen, the essential assist of House Velaryon, and the allegiance of an extra knight of the Kingsguard. Even earlier than she learns of Lucerys’ demise, marching to warfare has turn into far more believable. D’Arcy’s final look into the digital camera is haunting, a surer portent of issues to return than any prophetic dream or lofty speech about the good of the realm. Throughout the episode we see Rhaenyra push time and again for peace, for the uneasy and infrequently disappointing path of compromise. But what lies ready below Dragonstone, its ragged wings furled in the darkish, its furnace breath scorching the cavern partitions? What beast by firelight shines mirrored in Daemon’s eyes at the same time as he shines in its personal?

We know what’s coming. Vengeance. Justice. Fire and blood.

“When dragons fly to war,” Rhaenyra cautions her husband, Prince Daemon, “everything burns.”

Throughout the season finale, solely the newly topped queen alone appears to know the gravity of selecting to push again in opposition to the usurpation of her crown. She alone weighs diplomatic choices as much as and together with capitulation quite than threat plunging Westeros right into a warfare in contrast to something it’s ever identified. Against the warmongering of her bannermen and consort, the provocations of her outdated enemy Otto Hightower, and even the temptation of the godlike harmful energy her faction’s dragons afford her, Rhaenyra stands agency. Emma D’Arcy brings an amazing subtlety to Rhaenyra’s struggles all through the episode, from their wry, questioning smile at Lucerys’ concern of his future obligations to their expression of mingled loss and hope at receiving proof of Alicent’s continued love in the kind of a childhood memento. Peace holds the promise of love, of kids, of honoring her father’s peaceable legacy and perception in the Conqueror’s Dream. War dangers all.

Photo: Ollie Upton/HBO

Yet the world, as Rhaenyra tells her center youngster, has no regard for our plans. First, a painful and draining miscarriage prices Rhaenyra her unborn daughter. Watching the sweat-soaked and bloody lady cradle the deformed physique in her arms, it’s arduous to not suppose of it as an omen of issues to return, a shadow solid by all the innocents whose lives a warfare between the rival monarchs would undoubtedly minimize quick. The warfare additionally drives a wedge between Rhaenyra and her husband, exposing Daemon’s violent insecurities as he confronts each his personal immaturity and his jealousy over his spouse’s closeness with his late brother, the king. The scene through which Daemon assaults his queen is one of the season’s most upsetting, a showcase for Matt Smith’s potential to concurrently seethe and dissociate from his environment. It’s an unpleasant distinction to the heat between Lord Corlys and Princess Rhaenys, who even in battle share an evident heat and solidarity. No such understanding is forthcoming from Daemon, and it appears Rhaenyra dangers her marriage by holding again from the bloodshed he craves.

Image: Ollie Upton/HBO

Director Greg Yaitanes frames this parade of loss and unrest with painterly precision, and the episode’s shade grading is amongst the collection’ finest to date, with wealthy, darkish reds and sickly grays predominating in opposition to backdrops of dramatic black and bleach-light blue. “The Black Queen” takes care to straight affiliate the Targaryens with their dragon by means of clever framing and intercutting. During Rhaenyra’s troublesome labor we see flashes of Syrax bellowing in sympathy with her rider. When Daemon menaces the knights of the Kingsguard, Caraxes’ huge head fills the body behind him, a scene echoed by a later sequence through which Daemon rouses the historical dragon Vermithor and the two seem mirrored in one another’s eyes, twin incarnations of heedless energy and destruction.

The episode’s visible language asks us to think about who precisely is asking the pictures right here. Is it the Targaryens, pushed as a lot by outdated grudges and infatuations as by any bigger sense of responsibility? Is it the dragons themselves, which, like the proverbial blade, incite to violence by their very existence? The reply, as a lot as one could be extricated from the tangle of guts and screaming that closes out the episode’s centerpiece motion scene, is that the worst of each events has the rudder. The venal pettiness of the royal household, the outsize energy their dragons afford them, and their complete lack of expertise with actual violence and its penalties come collectively in a literal deadly collision. Watching Aemond and Lucerys scream in terror as their dragons, pushed too arduous by Aemond’s merciless sport of hen, activate each other is a gut-wrenching sight, and Yaitanes builds stress throughout their airborne encounter with brutal, hard-hitting precision and a bodily harrowing sense of velocity. When the closing explosion of blood and gore hits house it’s nearly a aid, till you begin to consider what comes subsequent.

Photo: HBO

Rubber meets highway, the thought of a peaceable decision to the succession disaster goes to shreds in the area of an instantaneous, and Rhaenyra is left gutted by betrayal and grief. She’s misplaced not solely her son, however her sense of security in her marriage and her probability at any type of rekindling of her connection with Alicent. At the similar time she’s gained bannermen, the essential assist of House Velaryon, and the allegiance of an extra knight of the Kingsguard. Even earlier than she learns of Lucerys’ demise, marching to warfare has turn into far more believable. D’Arcy’s final look into the digital camera is haunting, a surer portent of issues to return than any prophetic dream or lofty speech about the good of the realm. Throughout the episode we see Rhaenyra push time and again for peace, for the uneasy and infrequently disappointing path of compromise. But what lies ready below Dragonstone, its ragged wings furled in the darkish, its furnace breath scorching the cavern partitions? What beast by firelight shines mirrored in Daemon’s eyes at the same time as he shines in its personal?

We know what’s coming. Vengeance. Justice. Fire and blood.

“When dragons fly to war,” Rhaenyra cautions her husband, Prince Daemon, “everything burns.”

Throughout the season finale, solely the newly topped queen alone appears to know the gravity of selecting to push again in opposition to the usurpation of her crown. She alone weighs diplomatic choices as much as and together with capitulation quite than threat plunging Westeros right into a warfare in contrast to something it’s ever identified. Against the warmongering of her bannermen and consort, the provocations of her outdated enemy Otto Hightower, and even the temptation of the godlike harmful energy her faction’s dragons afford her, Rhaenyra stands agency. Emma D’Arcy brings an amazing subtlety to Rhaenyra’s struggles all through the episode, from their wry, questioning smile at Lucerys’ concern of his future obligations to their expression of mingled loss and hope at receiving proof of Alicent’s continued love in the kind of a childhood memento. Peace holds the promise of love, of kids, of honoring her father’s peaceable legacy and perception in the Conqueror’s Dream. War dangers all.

Photo: Ollie Upton/HBO

Yet the world, as Rhaenyra tells her center youngster, has no regard for our plans. First, a painful and draining miscarriage prices Rhaenyra her unborn daughter. Watching the sweat-soaked and bloody lady cradle the deformed physique in her arms, it’s arduous to not suppose of it as an omen of issues to return, a shadow solid by all the innocents whose lives a warfare between the rival monarchs would undoubtedly minimize quick. The warfare additionally drives a wedge between Rhaenyra and her husband, exposing Daemon’s violent insecurities as he confronts each his personal immaturity and his jealousy over his spouse’s closeness with his late brother, the king. The scene through which Daemon assaults his queen is one of the season’s most upsetting, a showcase for Matt Smith’s potential to concurrently seethe and dissociate from his environment. It’s an unpleasant distinction to the heat between Lord Corlys and Princess Rhaenys, who even in battle share an evident heat and solidarity. No such understanding is forthcoming from Daemon, and it appears Rhaenyra dangers her marriage by holding again from the bloodshed he craves.

Image: Ollie Upton/HBO

Director Greg Yaitanes frames this parade of loss and unrest with painterly precision, and the episode’s shade grading is amongst the collection’ finest to date, with wealthy, darkish reds and sickly grays predominating in opposition to backdrops of dramatic black and bleach-light blue. “The Black Queen” takes care to straight affiliate the Targaryens with their dragon by means of clever framing and intercutting. During Rhaenyra’s troublesome labor we see flashes of Syrax bellowing in sympathy with her rider. When Daemon menaces the knights of the Kingsguard, Caraxes’ huge head fills the body behind him, a scene echoed by a later sequence through which Daemon rouses the historical dragon Vermithor and the two seem mirrored in one another’s eyes, twin incarnations of heedless energy and destruction.

The episode’s visible language asks us to think about who precisely is asking the pictures right here. Is it the Targaryens, pushed as a lot by outdated grudges and infatuations as by any bigger sense of responsibility? Is it the dragons themselves, which, like the proverbial blade, incite to violence by their very existence? The reply, as a lot as one could be extricated from the tangle of guts and screaming that closes out the episode’s centerpiece motion scene, is that the worst of each events has the rudder. The venal pettiness of the royal household, the outsize energy their dragons afford them, and their complete lack of expertise with actual violence and its penalties come collectively in a literal deadly collision. Watching Aemond and Lucerys scream in terror as their dragons, pushed too arduous by Aemond’s merciless sport of hen, activate each other is a gut-wrenching sight, and Yaitanes builds stress throughout their airborne encounter with brutal, hard-hitting precision and a bodily harrowing sense of velocity. When the closing explosion of blood and gore hits house it’s nearly a aid, till you begin to consider what comes subsequent.

Photo: HBO

Rubber meets highway, the thought of a peaceable decision to the succession disaster goes to shreds in the area of an instantaneous, and Rhaenyra is left gutted by betrayal and grief. She’s misplaced not solely her son, however her sense of security in her marriage and her probability at any type of rekindling of her connection with Alicent. At the similar time she’s gained bannermen, the essential assist of House Velaryon, and the allegiance of an extra knight of the Kingsguard. Even earlier than she learns of Lucerys’ demise, marching to warfare has turn into far more believable. D’Arcy’s final look into the digital camera is haunting, a surer portent of issues to return than any prophetic dream or lofty speech about the good of the realm. Throughout the episode we see Rhaenyra push time and again for peace, for the uneasy and infrequently disappointing path of compromise. But what lies ready below Dragonstone, its ragged wings furled in the darkish, its furnace breath scorching the cavern partitions? What beast by firelight shines mirrored in Daemon’s eyes at the same time as he shines in its personal?

We know what’s coming. Vengeance. Justice. Fire and blood.

“When dragons fly to war,” Rhaenyra cautions her husband, Prince Daemon, “everything burns.”

Throughout the season finale, solely the newly topped queen alone appears to know the gravity of selecting to push again in opposition to the usurpation of her crown. She alone weighs diplomatic choices as much as and together with capitulation quite than threat plunging Westeros right into a warfare in contrast to something it’s ever identified. Against the warmongering of her bannermen and consort, the provocations of her outdated enemy Otto Hightower, and even the temptation of the godlike harmful energy her faction’s dragons afford her, Rhaenyra stands agency. Emma D’Arcy brings an amazing subtlety to Rhaenyra’s struggles all through the episode, from their wry, questioning smile at Lucerys’ concern of his future obligations to their expression of mingled loss and hope at receiving proof of Alicent’s continued love in the kind of a childhood memento. Peace holds the promise of love, of kids, of honoring her father’s peaceable legacy and perception in the Conqueror’s Dream. War dangers all.

Photo: Ollie Upton/HBO

Yet the world, as Rhaenyra tells her center youngster, has no regard for our plans. First, a painful and draining miscarriage prices Rhaenyra her unborn daughter. Watching the sweat-soaked and bloody lady cradle the deformed physique in her arms, it’s arduous to not suppose of it as an omen of issues to return, a shadow solid by all the innocents whose lives a warfare between the rival monarchs would undoubtedly minimize quick. The warfare additionally drives a wedge between Rhaenyra and her husband, exposing Daemon’s violent insecurities as he confronts each his personal immaturity and his jealousy over his spouse’s closeness with his late brother, the king. The scene through which Daemon assaults his queen is one of the season’s most upsetting, a showcase for Matt Smith’s potential to concurrently seethe and dissociate from his environment. It’s an unpleasant distinction to the heat between Lord Corlys and Princess Rhaenys, who even in battle share an evident heat and solidarity. No such understanding is forthcoming from Daemon, and it appears Rhaenyra dangers her marriage by holding again from the bloodshed he craves.

Image: Ollie Upton/HBO

Director Greg Yaitanes frames this parade of loss and unrest with painterly precision, and the episode’s shade grading is amongst the collection’ finest to date, with wealthy, darkish reds and sickly grays predominating in opposition to backdrops of dramatic black and bleach-light blue. “The Black Queen” takes care to straight affiliate the Targaryens with their dragon by means of clever framing and intercutting. During Rhaenyra’s troublesome labor we see flashes of Syrax bellowing in sympathy with her rider. When Daemon menaces the knights of the Kingsguard, Caraxes’ huge head fills the body behind him, a scene echoed by a later sequence through which Daemon rouses the historical dragon Vermithor and the two seem mirrored in one another’s eyes, twin incarnations of heedless energy and destruction.

The episode’s visible language asks us to think about who precisely is asking the pictures right here. Is it the Targaryens, pushed as a lot by outdated grudges and infatuations as by any bigger sense of responsibility? Is it the dragons themselves, which, like the proverbial blade, incite to violence by their very existence? The reply, as a lot as one could be extricated from the tangle of guts and screaming that closes out the episode’s centerpiece motion scene, is that the worst of each events has the rudder. The venal pettiness of the royal household, the outsize energy their dragons afford them, and their complete lack of expertise with actual violence and its penalties come collectively in a literal deadly collision. Watching Aemond and Lucerys scream in terror as their dragons, pushed too arduous by Aemond’s merciless sport of hen, activate each other is a gut-wrenching sight, and Yaitanes builds stress throughout their airborne encounter with brutal, hard-hitting precision and a bodily harrowing sense of velocity. When the closing explosion of blood and gore hits house it’s nearly a aid, till you begin to consider what comes subsequent.

Photo: HBO

Rubber meets highway, the thought of a peaceable decision to the succession disaster goes to shreds in the area of an instantaneous, and Rhaenyra is left gutted by betrayal and grief. She’s misplaced not solely her son, however her sense of security in her marriage and her probability at any type of rekindling of her connection with Alicent. At the similar time she’s gained bannermen, the essential assist of House Velaryon, and the allegiance of an extra knight of the Kingsguard. Even earlier than she learns of Lucerys’ demise, marching to warfare has turn into far more believable. D’Arcy’s final look into the digital camera is haunting, a surer portent of issues to return than any prophetic dream or lofty speech about the good of the realm. Throughout the episode we see Rhaenyra push time and again for peace, for the uneasy and infrequently disappointing path of compromise. But what lies ready below Dragonstone, its ragged wings furled in the darkish, its furnace breath scorching the cavern partitions? What beast by firelight shines mirrored in Daemon’s eyes at the same time as he shines in its personal?

We know what’s coming. Vengeance. Justice. Fire and blood.

“When dragons fly to war,” Rhaenyra cautions her husband, Prince Daemon, “everything burns.”

Throughout the season finale, solely the newly topped queen alone appears to know the gravity of selecting to push again in opposition to the usurpation of her crown. She alone weighs diplomatic choices as much as and together with capitulation quite than threat plunging Westeros right into a warfare in contrast to something it’s ever identified. Against the warmongering of her bannermen and consort, the provocations of her outdated enemy Otto Hightower, and even the temptation of the godlike harmful energy her faction’s dragons afford her, Rhaenyra stands agency. Emma D’Arcy brings an amazing subtlety to Rhaenyra’s struggles all through the episode, from their wry, questioning smile at Lucerys’ concern of his future obligations to their expression of mingled loss and hope at receiving proof of Alicent’s continued love in the kind of a childhood memento. Peace holds the promise of love, of kids, of honoring her father’s peaceable legacy and perception in the Conqueror’s Dream. War dangers all.

Photo: Ollie Upton/HBO

Yet the world, as Rhaenyra tells her center youngster, has no regard for our plans. First, a painful and draining miscarriage prices Rhaenyra her unborn daughter. Watching the sweat-soaked and bloody lady cradle the deformed physique in her arms, it’s arduous to not suppose of it as an omen of issues to return, a shadow solid by all the innocents whose lives a warfare between the rival monarchs would undoubtedly minimize quick. The warfare additionally drives a wedge between Rhaenyra and her husband, exposing Daemon’s violent insecurities as he confronts each his personal immaturity and his jealousy over his spouse’s closeness with his late brother, the king. The scene through which Daemon assaults his queen is one of the season’s most upsetting, a showcase for Matt Smith’s potential to concurrently seethe and dissociate from his environment. It’s an unpleasant distinction to the heat between Lord Corlys and Princess Rhaenys, who even in battle share an evident heat and solidarity. No such understanding is forthcoming from Daemon, and it appears Rhaenyra dangers her marriage by holding again from the bloodshed he craves.

Image: Ollie Upton/HBO

Director Greg Yaitanes frames this parade of loss and unrest with painterly precision, and the episode’s shade grading is amongst the collection’ finest to date, with wealthy, darkish reds and sickly grays predominating in opposition to backdrops of dramatic black and bleach-light blue. “The Black Queen” takes care to straight affiliate the Targaryens with their dragon by means of clever framing and intercutting. During Rhaenyra’s troublesome labor we see flashes of Syrax bellowing in sympathy with her rider. When Daemon menaces the knights of the Kingsguard, Caraxes’ huge head fills the body behind him, a scene echoed by a later sequence through which Daemon rouses the historical dragon Vermithor and the two seem mirrored in one another’s eyes, twin incarnations of heedless energy and destruction.

The episode’s visible language asks us to think about who precisely is asking the pictures right here. Is it the Targaryens, pushed as a lot by outdated grudges and infatuations as by any bigger sense of responsibility? Is it the dragons themselves, which, like the proverbial blade, incite to violence by their very existence? The reply, as a lot as one could be extricated from the tangle of guts and screaming that closes out the episode’s centerpiece motion scene, is that the worst of each events has the rudder. The venal pettiness of the royal household, the outsize energy their dragons afford them, and their complete lack of expertise with actual violence and its penalties come collectively in a literal deadly collision. Watching Aemond and Lucerys scream in terror as their dragons, pushed too arduous by Aemond’s merciless sport of hen, activate each other is a gut-wrenching sight, and Yaitanes builds stress throughout their airborne encounter with brutal, hard-hitting precision and a bodily harrowing sense of velocity. When the closing explosion of blood and gore hits house it’s nearly a aid, till you begin to consider what comes subsequent.

Photo: HBO

Rubber meets highway, the thought of a peaceable decision to the succession disaster goes to shreds in the area of an instantaneous, and Rhaenyra is left gutted by betrayal and grief. She’s misplaced not solely her son, however her sense of security in her marriage and her probability at any type of rekindling of her connection with Alicent. At the similar time she’s gained bannermen, the essential assist of House Velaryon, and the allegiance of an extra knight of the Kingsguard. Even earlier than she learns of Lucerys’ demise, marching to warfare has turn into far more believable. D’Arcy’s final look into the digital camera is haunting, a surer portent of issues to return than any prophetic dream or lofty speech about the good of the realm. Throughout the episode we see Rhaenyra push time and again for peace, for the uneasy and infrequently disappointing path of compromise. But what lies ready below Dragonstone, its ragged wings furled in the darkish, its furnace breath scorching the cavern partitions? What beast by firelight shines mirrored in Daemon’s eyes at the same time as he shines in its personal?

We know what’s coming. Vengeance. Justice. Fire and blood.

“When dragons fly to war,” Rhaenyra cautions her husband, Prince Daemon, “everything burns.”

Throughout the season finale, solely the newly topped queen alone appears to know the gravity of selecting to push again in opposition to the usurpation of her crown. She alone weighs diplomatic choices as much as and together with capitulation quite than threat plunging Westeros right into a warfare in contrast to something it’s ever identified. Against the warmongering of her bannermen and consort, the provocations of her outdated enemy Otto Hightower, and even the temptation of the godlike harmful energy her faction’s dragons afford her, Rhaenyra stands agency. Emma D’Arcy brings an amazing subtlety to Rhaenyra’s struggles all through the episode, from their wry, questioning smile at Lucerys’ concern of his future obligations to their expression of mingled loss and hope at receiving proof of Alicent’s continued love in the kind of a childhood memento. Peace holds the promise of love, of kids, of honoring her father’s peaceable legacy and perception in the Conqueror’s Dream. War dangers all.

Photo: Ollie Upton/HBO

Yet the world, as Rhaenyra tells her center youngster, has no regard for our plans. First, a painful and draining miscarriage prices Rhaenyra her unborn daughter. Watching the sweat-soaked and bloody lady cradle the deformed physique in her arms, it’s arduous to not suppose of it as an omen of issues to return, a shadow solid by all the innocents whose lives a warfare between the rival monarchs would undoubtedly minimize quick. The warfare additionally drives a wedge between Rhaenyra and her husband, exposing Daemon’s violent insecurities as he confronts each his personal immaturity and his jealousy over his spouse’s closeness with his late brother, the king. The scene through which Daemon assaults his queen is one of the season’s most upsetting, a showcase for Matt Smith’s potential to concurrently seethe and dissociate from his environment. It’s an unpleasant distinction to the heat between Lord Corlys and Princess Rhaenys, who even in battle share an evident heat and solidarity. No such understanding is forthcoming from Daemon, and it appears Rhaenyra dangers her marriage by holding again from the bloodshed he craves.

Image: Ollie Upton/HBO

Director Greg Yaitanes frames this parade of loss and unrest with painterly precision, and the episode’s shade grading is amongst the collection’ finest to date, with wealthy, darkish reds and sickly grays predominating in opposition to backdrops of dramatic black and bleach-light blue. “The Black Queen” takes care to straight affiliate the Targaryens with their dragon by means of clever framing and intercutting. During Rhaenyra’s troublesome labor we see flashes of Syrax bellowing in sympathy with her rider. When Daemon menaces the knights of the Kingsguard, Caraxes’ huge head fills the body behind him, a scene echoed by a later sequence through which Daemon rouses the historical dragon Vermithor and the two seem mirrored in one another’s eyes, twin incarnations of heedless energy and destruction.

The episode’s visible language asks us to think about who precisely is asking the pictures right here. Is it the Targaryens, pushed as a lot by outdated grudges and infatuations as by any bigger sense of responsibility? Is it the dragons themselves, which, like the proverbial blade, incite to violence by their very existence? The reply, as a lot as one could be extricated from the tangle of guts and screaming that closes out the episode’s centerpiece motion scene, is that the worst of each events has the rudder. The venal pettiness of the royal household, the outsize energy their dragons afford them, and their complete lack of expertise with actual violence and its penalties come collectively in a literal deadly collision. Watching Aemond and Lucerys scream in terror as their dragons, pushed too arduous by Aemond’s merciless sport of hen, activate each other is a gut-wrenching sight, and Yaitanes builds stress throughout their airborne encounter with brutal, hard-hitting precision and a bodily harrowing sense of velocity. When the closing explosion of blood and gore hits house it’s nearly a aid, till you begin to consider what comes subsequent.

Photo: HBO

Rubber meets highway, the thought of a peaceable decision to the succession disaster goes to shreds in the area of an instantaneous, and Rhaenyra is left gutted by betrayal and grief. She’s misplaced not solely her son, however her sense of security in her marriage and her probability at any type of rekindling of her connection with Alicent. At the similar time she’s gained bannermen, the essential assist of House Velaryon, and the allegiance of an extra knight of the Kingsguard. Even earlier than she learns of Lucerys’ demise, marching to warfare has turn into far more believable. D’Arcy’s final look into the digital camera is haunting, a surer portent of issues to return than any prophetic dream or lofty speech about the good of the realm. Throughout the episode we see Rhaenyra push time and again for peace, for the uneasy and infrequently disappointing path of compromise. But what lies ready below Dragonstone, its ragged wings furled in the darkish, its furnace breath scorching the cavern partitions? What beast by firelight shines mirrored in Daemon’s eyes at the same time as he shines in its personal?

We know what’s coming. Vengeance. Justice. Fire and blood.

“When dragons fly to war,” Rhaenyra cautions her husband, Prince Daemon, “everything burns.”

Throughout the season finale, solely the newly topped queen alone appears to know the gravity of selecting to push again in opposition to the usurpation of her crown. She alone weighs diplomatic choices as much as and together with capitulation quite than threat plunging Westeros right into a warfare in contrast to something it’s ever identified. Against the warmongering of her bannermen and consort, the provocations of her outdated enemy Otto Hightower, and even the temptation of the godlike harmful energy her faction’s dragons afford her, Rhaenyra stands agency. Emma D’Arcy brings an amazing subtlety to Rhaenyra’s struggles all through the episode, from their wry, questioning smile at Lucerys’ concern of his future obligations to their expression of mingled loss and hope at receiving proof of Alicent’s continued love in the kind of a childhood memento. Peace holds the promise of love, of kids, of honoring her father’s peaceable legacy and perception in the Conqueror’s Dream. War dangers all.

Photo: Ollie Upton/HBO

Yet the world, as Rhaenyra tells her center youngster, has no regard for our plans. First, a painful and draining miscarriage prices Rhaenyra her unborn daughter. Watching the sweat-soaked and bloody lady cradle the deformed physique in her arms, it’s arduous to not suppose of it as an omen of issues to return, a shadow solid by all the innocents whose lives a warfare between the rival monarchs would undoubtedly minimize quick. The warfare additionally drives a wedge between Rhaenyra and her husband, exposing Daemon’s violent insecurities as he confronts each his personal immaturity and his jealousy over his spouse’s closeness with his late brother, the king. The scene through which Daemon assaults his queen is one of the season’s most upsetting, a showcase for Matt Smith’s potential to concurrently seethe and dissociate from his environment. It’s an unpleasant distinction to the heat between Lord Corlys and Princess Rhaenys, who even in battle share an evident heat and solidarity. No such understanding is forthcoming from Daemon, and it appears Rhaenyra dangers her marriage by holding again from the bloodshed he craves.

Image: Ollie Upton/HBO

Director Greg Yaitanes frames this parade of loss and unrest with painterly precision, and the episode’s shade grading is amongst the collection’ finest to date, with wealthy, darkish reds and sickly grays predominating in opposition to backdrops of dramatic black and bleach-light blue. “The Black Queen” takes care to straight affiliate the Targaryens with their dragon by means of clever framing and intercutting. During Rhaenyra’s troublesome labor we see flashes of Syrax bellowing in sympathy with her rider. When Daemon menaces the knights of the Kingsguard, Caraxes’ huge head fills the body behind him, a scene echoed by a later sequence through which Daemon rouses the historical dragon Vermithor and the two seem mirrored in one another’s eyes, twin incarnations of heedless energy and destruction.

The episode’s visible language asks us to think about who precisely is asking the pictures right here. Is it the Targaryens, pushed as a lot by outdated grudges and infatuations as by any bigger sense of responsibility? Is it the dragons themselves, which, like the proverbial blade, incite to violence by their very existence? The reply, as a lot as one could be extricated from the tangle of guts and screaming that closes out the episode’s centerpiece motion scene, is that the worst of each events has the rudder. The venal pettiness of the royal household, the outsize energy their dragons afford them, and their complete lack of expertise with actual violence and its penalties come collectively in a literal deadly collision. Watching Aemond and Lucerys scream in terror as their dragons, pushed too arduous by Aemond’s merciless sport of hen, activate each other is a gut-wrenching sight, and Yaitanes builds stress throughout their airborne encounter with brutal, hard-hitting precision and a bodily harrowing sense of velocity. When the closing explosion of blood and gore hits house it’s nearly a aid, till you begin to consider what comes subsequent.

Photo: HBO

Rubber meets highway, the thought of a peaceable decision to the succession disaster goes to shreds in the area of an instantaneous, and Rhaenyra is left gutted by betrayal and grief. She’s misplaced not solely her son, however her sense of security in her marriage and her probability at any type of rekindling of her connection with Alicent. At the similar time she’s gained bannermen, the essential assist of House Velaryon, and the allegiance of an extra knight of the Kingsguard. Even earlier than she learns of Lucerys’ demise, marching to warfare has turn into far more believable. D’Arcy’s final look into the digital camera is haunting, a surer portent of issues to return than any prophetic dream or lofty speech about the good of the realm. Throughout the episode we see Rhaenyra push time and again for peace, for the uneasy and infrequently disappointing path of compromise. But what lies ready below Dragonstone, its ragged wings furled in the darkish, its furnace breath scorching the cavern partitions? What beast by firelight shines mirrored in Daemon’s eyes at the same time as he shines in its personal?

We know what’s coming. Vengeance. Justice. Fire and blood.

“When dragons fly to war,” Rhaenyra cautions her husband, Prince Daemon, “everything burns.”

Throughout the season finale, solely the newly topped queen alone appears to know the gravity of selecting to push again in opposition to the usurpation of her crown. She alone weighs diplomatic choices as much as and together with capitulation quite than threat plunging Westeros right into a warfare in contrast to something it’s ever identified. Against the warmongering of her bannermen and consort, the provocations of her outdated enemy Otto Hightower, and even the temptation of the godlike harmful energy her faction’s dragons afford her, Rhaenyra stands agency. Emma D’Arcy brings an amazing subtlety to Rhaenyra’s struggles all through the episode, from their wry, questioning smile at Lucerys’ concern of his future obligations to their expression of mingled loss and hope at receiving proof of Alicent’s continued love in the kind of a childhood memento. Peace holds the promise of love, of kids, of honoring her father’s peaceable legacy and perception in the Conqueror’s Dream. War dangers all.

Photo: Ollie Upton/HBO

Yet the world, as Rhaenyra tells her center youngster, has no regard for our plans. First, a painful and draining miscarriage prices Rhaenyra her unborn daughter. Watching the sweat-soaked and bloody lady cradle the deformed physique in her arms, it’s arduous to not suppose of it as an omen of issues to return, a shadow solid by all the innocents whose lives a warfare between the rival monarchs would undoubtedly minimize quick. The warfare additionally drives a wedge between Rhaenyra and her husband, exposing Daemon’s violent insecurities as he confronts each his personal immaturity and his jealousy over his spouse’s closeness with his late brother, the king. The scene through which Daemon assaults his queen is one of the season’s most upsetting, a showcase for Matt Smith’s potential to concurrently seethe and dissociate from his environment. It’s an unpleasant distinction to the heat between Lord Corlys and Princess Rhaenys, who even in battle share an evident heat and solidarity. No such understanding is forthcoming from Daemon, and it appears Rhaenyra dangers her marriage by holding again from the bloodshed he craves.

Image: Ollie Upton/HBO

Director Greg Yaitanes frames this parade of loss and unrest with painterly precision, and the episode’s shade grading is amongst the collection’ finest to date, with wealthy, darkish reds and sickly grays predominating in opposition to backdrops of dramatic black and bleach-light blue. “The Black Queen” takes care to straight affiliate the Targaryens with their dragon by means of clever framing and intercutting. During Rhaenyra’s troublesome labor we see flashes of Syrax bellowing in sympathy with her rider. When Daemon menaces the knights of the Kingsguard, Caraxes’ huge head fills the body behind him, a scene echoed by a later sequence through which Daemon rouses the historical dragon Vermithor and the two seem mirrored in one another’s eyes, twin incarnations of heedless energy and destruction.

The episode’s visible language asks us to think about who precisely is asking the pictures right here. Is it the Targaryens, pushed as a lot by outdated grudges and infatuations as by any bigger sense of responsibility? Is it the dragons themselves, which, like the proverbial blade, incite to violence by their very existence? The reply, as a lot as one could be extricated from the tangle of guts and screaming that closes out the episode’s centerpiece motion scene, is that the worst of each events has the rudder. The venal pettiness of the royal household, the outsize energy their dragons afford them, and their complete lack of expertise with actual violence and its penalties come collectively in a literal deadly collision. Watching Aemond and Lucerys scream in terror as their dragons, pushed too arduous by Aemond’s merciless sport of hen, activate each other is a gut-wrenching sight, and Yaitanes builds stress throughout their airborne encounter with brutal, hard-hitting precision and a bodily harrowing sense of velocity. When the closing explosion of blood and gore hits house it’s nearly a aid, till you begin to consider what comes subsequent.

Photo: HBO

Rubber meets highway, the thought of a peaceable decision to the succession disaster goes to shreds in the area of an instantaneous, and Rhaenyra is left gutted by betrayal and grief. She’s misplaced not solely her son, however her sense of security in her marriage and her probability at any type of rekindling of her connection with Alicent. At the similar time she’s gained bannermen, the essential assist of House Velaryon, and the allegiance of an extra knight of the Kingsguard. Even earlier than she learns of Lucerys’ demise, marching to warfare has turn into far more believable. D’Arcy’s final look into the digital camera is haunting, a surer portent of issues to return than any prophetic dream or lofty speech about the good of the realm. Throughout the episode we see Rhaenyra push time and again for peace, for the uneasy and infrequently disappointing path of compromise. But what lies ready below Dragonstone, its ragged wings furled in the darkish, its furnace breath scorching the cavern partitions? What beast by firelight shines mirrored in Daemon’s eyes at the same time as he shines in its personal?

We know what’s coming. Vengeance. Justice. Fire and blood.

“When dragons fly to war,” Rhaenyra cautions her husband, Prince Daemon, “everything burns.”

Throughout the season finale, solely the newly topped queen alone appears to know the gravity of selecting to push again in opposition to the usurpation of her crown. She alone weighs diplomatic choices as much as and together with capitulation quite than threat plunging Westeros right into a warfare in contrast to something it’s ever identified. Against the warmongering of her bannermen and consort, the provocations of her outdated enemy Otto Hightower, and even the temptation of the godlike harmful energy her faction’s dragons afford her, Rhaenyra stands agency. Emma D’Arcy brings an amazing subtlety to Rhaenyra’s struggles all through the episode, from their wry, questioning smile at Lucerys’ concern of his future obligations to their expression of mingled loss and hope at receiving proof of Alicent’s continued love in the kind of a childhood memento. Peace holds the promise of love, of kids, of honoring her father’s peaceable legacy and perception in the Conqueror’s Dream. War dangers all.

Photo: Ollie Upton/HBO

Yet the world, as Rhaenyra tells her center youngster, has no regard for our plans. First, a painful and draining miscarriage prices Rhaenyra her unborn daughter. Watching the sweat-soaked and bloody lady cradle the deformed physique in her arms, it’s arduous to not suppose of it as an omen of issues to return, a shadow solid by all the innocents whose lives a warfare between the rival monarchs would undoubtedly minimize quick. The warfare additionally drives a wedge between Rhaenyra and her husband, exposing Daemon’s violent insecurities as he confronts each his personal immaturity and his jealousy over his spouse’s closeness with his late brother, the king. The scene through which Daemon assaults his queen is one of the season’s most upsetting, a showcase for Matt Smith’s potential to concurrently seethe and dissociate from his environment. It’s an unpleasant distinction to the heat between Lord Corlys and Princess Rhaenys, who even in battle share an evident heat and solidarity. No such understanding is forthcoming from Daemon, and it appears Rhaenyra dangers her marriage by holding again from the bloodshed he craves.

Image: Ollie Upton/HBO

Director Greg Yaitanes frames this parade of loss and unrest with painterly precision, and the episode’s shade grading is amongst the collection’ finest to date, with wealthy, darkish reds and sickly grays predominating in opposition to backdrops of dramatic black and bleach-light blue. “The Black Queen” takes care to straight affiliate the Targaryens with their dragon by means of clever framing and intercutting. During Rhaenyra’s troublesome labor we see flashes of Syrax bellowing in sympathy with her rider. When Daemon menaces the knights of the Kingsguard, Caraxes’ huge head fills the body behind him, a scene echoed by a later sequence through which Daemon rouses the historical dragon Vermithor and the two seem mirrored in one another’s eyes, twin incarnations of heedless energy and destruction.

The episode’s visible language asks us to think about who precisely is asking the pictures right here. Is it the Targaryens, pushed as a lot by outdated grudges and infatuations as by any bigger sense of responsibility? Is it the dragons themselves, which, like the proverbial blade, incite to violence by their very existence? The reply, as a lot as one could be extricated from the tangle of guts and screaming that closes out the episode’s centerpiece motion scene, is that the worst of each events has the rudder. The venal pettiness of the royal household, the outsize energy their dragons afford them, and their complete lack of expertise with actual violence and its penalties come collectively in a literal deadly collision. Watching Aemond and Lucerys scream in terror as their dragons, pushed too arduous by Aemond’s merciless sport of hen, activate each other is a gut-wrenching sight, and Yaitanes builds stress throughout their airborne encounter with brutal, hard-hitting precision and a bodily harrowing sense of velocity. When the closing explosion of blood and gore hits house it’s nearly a aid, till you begin to consider what comes subsequent.

Photo: HBO

Rubber meets highway, the thought of a peaceable decision to the succession disaster goes to shreds in the area of an instantaneous, and Rhaenyra is left gutted by betrayal and grief. She’s misplaced not solely her son, however her sense of security in her marriage and her probability at any type of rekindling of her connection with Alicent. At the similar time she’s gained bannermen, the essential assist of House Velaryon, and the allegiance of an extra knight of the Kingsguard. Even earlier than she learns of Lucerys’ demise, marching to warfare has turn into far more believable. D’Arcy’s final look into the digital camera is haunting, a surer portent of issues to return than any prophetic dream or lofty speech about the good of the realm. Throughout the episode we see Rhaenyra push time and again for peace, for the uneasy and infrequently disappointing path of compromise. But what lies ready below Dragonstone, its ragged wings furled in the darkish, its furnace breath scorching the cavern partitions? What beast by firelight shines mirrored in Daemon’s eyes at the same time as he shines in its personal?

We know what’s coming. Vengeance. Justice. Fire and blood.

“When dragons fly to war,” Rhaenyra cautions her husband, Prince Daemon, “everything burns.”

Throughout the season finale, solely the newly topped queen alone appears to know the gravity of selecting to push again in opposition to the usurpation of her crown. She alone weighs diplomatic choices as much as and together with capitulation quite than threat plunging Westeros right into a warfare in contrast to something it’s ever identified. Against the warmongering of her bannermen and consort, the provocations of her outdated enemy Otto Hightower, and even the temptation of the godlike harmful energy her faction’s dragons afford her, Rhaenyra stands agency. Emma D’Arcy brings an amazing subtlety to Rhaenyra’s struggles all through the episode, from their wry, questioning smile at Lucerys’ concern of his future obligations to their expression of mingled loss and hope at receiving proof of Alicent’s continued love in the kind of a childhood memento. Peace holds the promise of love, of kids, of honoring her father’s peaceable legacy and perception in the Conqueror’s Dream. War dangers all.

Photo: Ollie Upton/HBO

Yet the world, as Rhaenyra tells her center youngster, has no regard for our plans. First, a painful and draining miscarriage prices Rhaenyra her unborn daughter. Watching the sweat-soaked and bloody lady cradle the deformed physique in her arms, it’s arduous to not suppose of it as an omen of issues to return, a shadow solid by all the innocents whose lives a warfare between the rival monarchs would undoubtedly minimize quick. The warfare additionally drives a wedge between Rhaenyra and her husband, exposing Daemon’s violent insecurities as he confronts each his personal immaturity and his jealousy over his spouse’s closeness with his late brother, the king. The scene through which Daemon assaults his queen is one of the season’s most upsetting, a showcase for Matt Smith’s potential to concurrently seethe and dissociate from his environment. It’s an unpleasant distinction to the heat between Lord Corlys and Princess Rhaenys, who even in battle share an evident heat and solidarity. No such understanding is forthcoming from Daemon, and it appears Rhaenyra dangers her marriage by holding again from the bloodshed he craves.

Image: Ollie Upton/HBO

Director Greg Yaitanes frames this parade of loss and unrest with painterly precision, and the episode’s shade grading is amongst the collection’ finest to date, with wealthy, darkish reds and sickly grays predominating in opposition to backdrops of dramatic black and bleach-light blue. “The Black Queen” takes care to straight affiliate the Targaryens with their dragon by means of clever framing and intercutting. During Rhaenyra’s troublesome labor we see flashes of Syrax bellowing in sympathy with her rider. When Daemon menaces the knights of the Kingsguard, Caraxes’ huge head fills the body behind him, a scene echoed by a later sequence through which Daemon rouses the historical dragon Vermithor and the two seem mirrored in one another’s eyes, twin incarnations of heedless energy and destruction.

The episode’s visible language asks us to think about who precisely is asking the pictures right here. Is it the Targaryens, pushed as a lot by outdated grudges and infatuations as by any bigger sense of responsibility? Is it the dragons themselves, which, like the proverbial blade, incite to violence by their very existence? The reply, as a lot as one could be extricated from the tangle of guts and screaming that closes out the episode’s centerpiece motion scene, is that the worst of each events has the rudder. The venal pettiness of the royal household, the outsize energy their dragons afford them, and their complete lack of expertise with actual violence and its penalties come collectively in a literal deadly collision. Watching Aemond and Lucerys scream in terror as their dragons, pushed too arduous by Aemond’s merciless sport of hen, activate each other is a gut-wrenching sight, and Yaitanes builds stress throughout their airborne encounter with brutal, hard-hitting precision and a bodily harrowing sense of velocity. When the closing explosion of blood and gore hits house it’s nearly a aid, till you begin to consider what comes subsequent.

Photo: HBO

Rubber meets highway, the thought of a peaceable decision to the succession disaster goes to shreds in the area of an instantaneous, and Rhaenyra is left gutted by betrayal and grief. She’s misplaced not solely her son, however her sense of security in her marriage and her probability at any type of rekindling of her connection with Alicent. At the similar time she’s gained bannermen, the essential assist of House Velaryon, and the allegiance of an extra knight of the Kingsguard. Even earlier than she learns of Lucerys’ demise, marching to warfare has turn into far more believable. D’Arcy’s final look into the digital camera is haunting, a surer portent of issues to return than any prophetic dream or lofty speech about the good of the realm. Throughout the episode we see Rhaenyra push time and again for peace, for the uneasy and infrequently disappointing path of compromise. But what lies ready below Dragonstone, its ragged wings furled in the darkish, its furnace breath scorching the cavern partitions? What beast by firelight shines mirrored in Daemon’s eyes at the same time as he shines in its personal?

We know what’s coming. Vengeance. Justice. Fire and blood.

“When dragons fly to war,” Rhaenyra cautions her husband, Prince Daemon, “everything burns.”

Throughout the season finale, solely the newly topped queen alone appears to know the gravity of selecting to push again in opposition to the usurpation of her crown. She alone weighs diplomatic choices as much as and together with capitulation quite than threat plunging Westeros right into a warfare in contrast to something it’s ever identified. Against the warmongering of her bannermen and consort, the provocations of her outdated enemy Otto Hightower, and even the temptation of the godlike harmful energy her faction’s dragons afford her, Rhaenyra stands agency. Emma D’Arcy brings an amazing subtlety to Rhaenyra’s struggles all through the episode, from their wry, questioning smile at Lucerys’ concern of his future obligations to their expression of mingled loss and hope at receiving proof of Alicent’s continued love in the kind of a childhood memento. Peace holds the promise of love, of kids, of honoring her father’s peaceable legacy and perception in the Conqueror’s Dream. War dangers all.

Photo: Ollie Upton/HBO

Yet the world, as Rhaenyra tells her center youngster, has no regard for our plans. First, a painful and draining miscarriage prices Rhaenyra her unborn daughter. Watching the sweat-soaked and bloody lady cradle the deformed physique in her arms, it’s arduous to not suppose of it as an omen of issues to return, a shadow solid by all the innocents whose lives a warfare between the rival monarchs would undoubtedly minimize quick. The warfare additionally drives a wedge between Rhaenyra and her husband, exposing Daemon’s violent insecurities as he confronts each his personal immaturity and his jealousy over his spouse’s closeness with his late brother, the king. The scene through which Daemon assaults his queen is one of the season’s most upsetting, a showcase for Matt Smith’s potential to concurrently seethe and dissociate from his environment. It’s an unpleasant distinction to the heat between Lord Corlys and Princess Rhaenys, who even in battle share an evident heat and solidarity. No such understanding is forthcoming from Daemon, and it appears Rhaenyra dangers her marriage by holding again from the bloodshed he craves.

Image: Ollie Upton/HBO

Director Greg Yaitanes frames this parade of loss and unrest with painterly precision, and the episode’s shade grading is amongst the collection’ finest to date, with wealthy, darkish reds and sickly grays predominating in opposition to backdrops of dramatic black and bleach-light blue. “The Black Queen” takes care to straight affiliate the Targaryens with their dragon by means of clever framing and intercutting. During Rhaenyra’s troublesome labor we see flashes of Syrax bellowing in sympathy with her rider. When Daemon menaces the knights of the Kingsguard, Caraxes’ huge head fills the body behind him, a scene echoed by a later sequence through which Daemon rouses the historical dragon Vermithor and the two seem mirrored in one another’s eyes, twin incarnations of heedless energy and destruction.

The episode’s visible language asks us to think about who precisely is asking the pictures right here. Is it the Targaryens, pushed as a lot by outdated grudges and infatuations as by any bigger sense of responsibility? Is it the dragons themselves, which, like the proverbial blade, incite to violence by their very existence? The reply, as a lot as one could be extricated from the tangle of guts and screaming that closes out the episode’s centerpiece motion scene, is that the worst of each events has the rudder. The venal pettiness of the royal household, the outsize energy their dragons afford them, and their complete lack of expertise with actual violence and its penalties come collectively in a literal deadly collision. Watching Aemond and Lucerys scream in terror as their dragons, pushed too arduous by Aemond’s merciless sport of hen, activate each other is a gut-wrenching sight, and Yaitanes builds stress throughout their airborne encounter with brutal, hard-hitting precision and a bodily harrowing sense of velocity. When the closing explosion of blood and gore hits house it’s nearly a aid, till you begin to consider what comes subsequent.

Photo: HBO

Rubber meets highway, the thought of a peaceable decision to the succession disaster goes to shreds in the area of an instantaneous, and Rhaenyra is left gutted by betrayal and grief. She’s misplaced not solely her son, however her sense of security in her marriage and her probability at any type of rekindling of her connection with Alicent. At the similar time she’s gained bannermen, the essential assist of House Velaryon, and the allegiance of an extra knight of the Kingsguard. Even earlier than she learns of Lucerys’ demise, marching to warfare has turn into far more believable. D’Arcy’s final look into the digital camera is haunting, a surer portent of issues to return than any prophetic dream or lofty speech about the good of the realm. Throughout the episode we see Rhaenyra push time and again for peace, for the uneasy and infrequently disappointing path of compromise. But what lies ready below Dragonstone, its ragged wings furled in the darkish, its furnace breath scorching the cavern partitions? What beast by firelight shines mirrored in Daemon’s eyes at the same time as he shines in its personal?

We know what’s coming. Vengeance. Justice. Fire and blood.

“When dragons fly to war,” Rhaenyra cautions her husband, Prince Daemon, “everything burns.”

Throughout the season finale, solely the newly topped queen alone appears to know the gravity of selecting to push again in opposition to the usurpation of her crown. She alone weighs diplomatic choices as much as and together with capitulation quite than threat plunging Westeros right into a warfare in contrast to something it’s ever identified. Against the warmongering of her bannermen and consort, the provocations of her outdated enemy Otto Hightower, and even the temptation of the godlike harmful energy her faction’s dragons afford her, Rhaenyra stands agency. Emma D’Arcy brings an amazing subtlety to Rhaenyra’s struggles all through the episode, from their wry, questioning smile at Lucerys’ concern of his future obligations to their expression of mingled loss and hope at receiving proof of Alicent’s continued love in the kind of a childhood memento. Peace holds the promise of love, of kids, of honoring her father’s peaceable legacy and perception in the Conqueror’s Dream. War dangers all.

Photo: Ollie Upton/HBO

Yet the world, as Rhaenyra tells her center youngster, has no regard for our plans. First, a painful and draining miscarriage prices Rhaenyra her unborn daughter. Watching the sweat-soaked and bloody lady cradle the deformed physique in her arms, it’s arduous to not suppose of it as an omen of issues to return, a shadow solid by all the innocents whose lives a warfare between the rival monarchs would undoubtedly minimize quick. The warfare additionally drives a wedge between Rhaenyra and her husband, exposing Daemon’s violent insecurities as he confronts each his personal immaturity and his jealousy over his spouse’s closeness with his late brother, the king. The scene through which Daemon assaults his queen is one of the season’s most upsetting, a showcase for Matt Smith’s potential to concurrently seethe and dissociate from his environment. It’s an unpleasant distinction to the heat between Lord Corlys and Princess Rhaenys, who even in battle share an evident heat and solidarity. No such understanding is forthcoming from Daemon, and it appears Rhaenyra dangers her marriage by holding again from the bloodshed he craves.

Image: Ollie Upton/HBO

Director Greg Yaitanes frames this parade of loss and unrest with painterly precision, and the episode’s shade grading is amongst the collection’ finest to date, with wealthy, darkish reds and sickly grays predominating in opposition to backdrops of dramatic black and bleach-light blue. “The Black Queen” takes care to straight affiliate the Targaryens with their dragon by means of clever framing and intercutting. During Rhaenyra’s troublesome labor we see flashes of Syrax bellowing in sympathy with her rider. When Daemon menaces the knights of the Kingsguard, Caraxes’ huge head fills the body behind him, a scene echoed by a later sequence through which Daemon rouses the historical dragon Vermithor and the two seem mirrored in one another’s eyes, twin incarnations of heedless energy and destruction.

The episode’s visible language asks us to think about who precisely is asking the pictures right here. Is it the Targaryens, pushed as a lot by outdated grudges and infatuations as by any bigger sense of responsibility? Is it the dragons themselves, which, like the proverbial blade, incite to violence by their very existence? The reply, as a lot as one could be extricated from the tangle of guts and screaming that closes out the episode’s centerpiece motion scene, is that the worst of each events has the rudder. The venal pettiness of the royal household, the outsize energy their dragons afford them, and their complete lack of expertise with actual violence and its penalties come collectively in a literal deadly collision. Watching Aemond and Lucerys scream in terror as their dragons, pushed too arduous by Aemond’s merciless sport of hen, activate each other is a gut-wrenching sight, and Yaitanes builds stress throughout their airborne encounter with brutal, hard-hitting precision and a bodily harrowing sense of velocity. When the closing explosion of blood and gore hits house it’s nearly a aid, till you begin to consider what comes subsequent.

Photo: HBO

Rubber meets highway, the thought of a peaceable decision to the succession disaster goes to shreds in the area of an instantaneous, and Rhaenyra is left gutted by betrayal and grief. She’s misplaced not solely her son, however her sense of security in her marriage and her probability at any type of rekindling of her connection with Alicent. At the similar time she’s gained bannermen, the essential assist of House Velaryon, and the allegiance of an extra knight of the Kingsguard. Even earlier than she learns of Lucerys’ demise, marching to warfare has turn into far more believable. D’Arcy’s final look into the digital camera is haunting, a surer portent of issues to return than any prophetic dream or lofty speech about the good of the realm. Throughout the episode we see Rhaenyra push time and again for peace, for the uneasy and infrequently disappointing path of compromise. But what lies ready below Dragonstone, its ragged wings furled in the darkish, its furnace breath scorching the cavern partitions? What beast by firelight shines mirrored in Daemon’s eyes at the same time as he shines in its personal?

We know what’s coming. Vengeance. Justice. Fire and blood.

“When dragons fly to war,” Rhaenyra cautions her husband, Prince Daemon, “everything burns.”

Throughout the season finale, solely the newly topped queen alone appears to know the gravity of selecting to push again in opposition to the usurpation of her crown. She alone weighs diplomatic choices as much as and together with capitulation quite than threat plunging Westeros right into a warfare in contrast to something it’s ever identified. Against the warmongering of her bannermen and consort, the provocations of her outdated enemy Otto Hightower, and even the temptation of the godlike harmful energy her faction’s dragons afford her, Rhaenyra stands agency. Emma D’Arcy brings an amazing subtlety to Rhaenyra’s struggles all through the episode, from their wry, questioning smile at Lucerys’ concern of his future obligations to their expression of mingled loss and hope at receiving proof of Alicent’s continued love in the kind of a childhood memento. Peace holds the promise of love, of kids, of honoring her father’s peaceable legacy and perception in the Conqueror’s Dream. War dangers all.

Photo: Ollie Upton/HBO

Yet the world, as Rhaenyra tells her center youngster, has no regard for our plans. First, a painful and draining miscarriage prices Rhaenyra her unborn daughter. Watching the sweat-soaked and bloody lady cradle the deformed physique in her arms, it’s arduous to not suppose of it as an omen of issues to return, a shadow solid by all the innocents whose lives a warfare between the rival monarchs would undoubtedly minimize quick. The warfare additionally drives a wedge between Rhaenyra and her husband, exposing Daemon’s violent insecurities as he confronts each his personal immaturity and his jealousy over his spouse’s closeness with his late brother, the king. The scene through which Daemon assaults his queen is one of the season’s most upsetting, a showcase for Matt Smith’s potential to concurrently seethe and dissociate from his environment. It’s an unpleasant distinction to the heat between Lord Corlys and Princess Rhaenys, who even in battle share an evident heat and solidarity. No such understanding is forthcoming from Daemon, and it appears Rhaenyra dangers her marriage by holding again from the bloodshed he craves.

Image: Ollie Upton/HBO

Director Greg Yaitanes frames this parade of loss and unrest with painterly precision, and the episode’s shade grading is amongst the collection’ finest to date, with wealthy, darkish reds and sickly grays predominating in opposition to backdrops of dramatic black and bleach-light blue. “The Black Queen” takes care to straight affiliate the Targaryens with their dragon by means of clever framing and intercutting. During Rhaenyra’s troublesome labor we see flashes of Syrax bellowing in sympathy with her rider. When Daemon menaces the knights of the Kingsguard, Caraxes’ huge head fills the body behind him, a scene echoed by a later sequence through which Daemon rouses the historical dragon Vermithor and the two seem mirrored in one another’s eyes, twin incarnations of heedless energy and destruction.

The episode’s visible language asks us to think about who precisely is asking the pictures right here. Is it the Targaryens, pushed as a lot by outdated grudges and infatuations as by any bigger sense of responsibility? Is it the dragons themselves, which, like the proverbial blade, incite to violence by their very existence? The reply, as a lot as one could be extricated from the tangle of guts and screaming that closes out the episode’s centerpiece motion scene, is that the worst of each events has the rudder. The venal pettiness of the royal household, the outsize energy their dragons afford them, and their complete lack of expertise with actual violence and its penalties come collectively in a literal deadly collision. Watching Aemond and Lucerys scream in terror as their dragons, pushed too arduous by Aemond’s merciless sport of hen, activate each other is a gut-wrenching sight, and Yaitanes builds stress throughout their airborne encounter with brutal, hard-hitting precision and a bodily harrowing sense of velocity. When the closing explosion of blood and gore hits house it’s nearly a aid, till you begin to consider what comes subsequent.

Photo: HBO

Rubber meets highway, the thought of a peaceable decision to the succession disaster goes to shreds in the area of an instantaneous, and Rhaenyra is left gutted by betrayal and grief. She’s misplaced not solely her son, however her sense of security in her marriage and her probability at any type of rekindling of her connection with Alicent. At the similar time she’s gained bannermen, the essential assist of House Velaryon, and the allegiance of an extra knight of the Kingsguard. Even earlier than she learns of Lucerys’ demise, marching to warfare has turn into far more believable. D’Arcy’s final look into the digital camera is haunting, a surer portent of issues to return than any prophetic dream or lofty speech about the good of the realm. Throughout the episode we see Rhaenyra push time and again for peace, for the uneasy and infrequently disappointing path of compromise. But what lies ready below Dragonstone, its ragged wings furled in the darkish, its furnace breath scorching the cavern partitions? What beast by firelight shines mirrored in Daemon’s eyes at the same time as he shines in its personal?

We know what’s coming. Vengeance. Justice. Fire and blood.

“When dragons fly to war,” Rhaenyra cautions her husband, Prince Daemon, “everything burns.”

Throughout the season finale, solely the newly topped queen alone appears to know the gravity of selecting to push again in opposition to the usurpation of her crown. She alone weighs diplomatic choices as much as and together with capitulation quite than threat plunging Westeros right into a warfare in contrast to something it’s ever identified. Against the warmongering of her bannermen and consort, the provocations of her outdated enemy Otto Hightower, and even the temptation of the godlike harmful energy her faction’s dragons afford her, Rhaenyra stands agency. Emma D’Arcy brings an amazing subtlety to Rhaenyra’s struggles all through the episode, from their wry, questioning smile at Lucerys’ concern of his future obligations to their expression of mingled loss and hope at receiving proof of Alicent’s continued love in the kind of a childhood memento. Peace holds the promise of love, of kids, of honoring her father’s peaceable legacy and perception in the Conqueror’s Dream. War dangers all.

Photo: Ollie Upton/HBO

Yet the world, as Rhaenyra tells her center youngster, has no regard for our plans. First, a painful and draining miscarriage prices Rhaenyra her unborn daughter. Watching the sweat-soaked and bloody lady cradle the deformed physique in her arms, it’s arduous to not suppose of it as an omen of issues to return, a shadow solid by all the innocents whose lives a warfare between the rival monarchs would undoubtedly minimize quick. The warfare additionally drives a wedge between Rhaenyra and her husband, exposing Daemon’s violent insecurities as he confronts each his personal immaturity and his jealousy over his spouse’s closeness with his late brother, the king. The scene through which Daemon assaults his queen is one of the season’s most upsetting, a showcase for Matt Smith’s potential to concurrently seethe and dissociate from his environment. It’s an unpleasant distinction to the heat between Lord Corlys and Princess Rhaenys, who even in battle share an evident heat and solidarity. No such understanding is forthcoming from Daemon, and it appears Rhaenyra dangers her marriage by holding again from the bloodshed he craves.

Image: Ollie Upton/HBO

Director Greg Yaitanes frames this parade of loss and unrest with painterly precision, and the episode’s shade grading is amongst the collection’ finest to date, with wealthy, darkish reds and sickly grays predominating in opposition to backdrops of dramatic black and bleach-light blue. “The Black Queen” takes care to straight affiliate the Targaryens with their dragon by means of clever framing and intercutting. During Rhaenyra’s troublesome labor we see flashes of Syrax bellowing in sympathy with her rider. When Daemon menaces the knights of the Kingsguard, Caraxes’ huge head fills the body behind him, a scene echoed by a later sequence through which Daemon rouses the historical dragon Vermithor and the two seem mirrored in one another’s eyes, twin incarnations of heedless energy and destruction.

The episode’s visible language asks us to think about who precisely is asking the pictures right here. Is it the Targaryens, pushed as a lot by outdated grudges and infatuations as by any bigger sense of responsibility? Is it the dragons themselves, which, like the proverbial blade, incite to violence by their very existence? The reply, as a lot as one could be extricated from the tangle of guts and screaming that closes out the episode’s centerpiece motion scene, is that the worst of each events has the rudder. The venal pettiness of the royal household, the outsize energy their dragons afford them, and their complete lack of expertise with actual violence and its penalties come collectively in a literal deadly collision. Watching Aemond and Lucerys scream in terror as their dragons, pushed too arduous by Aemond’s merciless sport of hen, activate each other is a gut-wrenching sight, and Yaitanes builds stress throughout their airborne encounter with brutal, hard-hitting precision and a bodily harrowing sense of velocity. When the closing explosion of blood and gore hits house it’s nearly a aid, till you begin to consider what comes subsequent.

Photo: HBO

Rubber meets highway, the thought of a peaceable decision to the succession disaster goes to shreds in the area of an instantaneous, and Rhaenyra is left gutted by betrayal and grief. She’s misplaced not solely her son, however her sense of security in her marriage and her probability at any type of rekindling of her connection with Alicent. At the similar time she’s gained bannermen, the essential assist of House Velaryon, and the allegiance of an extra knight of the Kingsguard. Even earlier than she learns of Lucerys’ demise, marching to warfare has turn into far more believable. D’Arcy’s final look into the digital camera is haunting, a surer portent of issues to return than any prophetic dream or lofty speech about the good of the realm. Throughout the episode we see Rhaenyra push time and again for peace, for the uneasy and infrequently disappointing path of compromise. But what lies ready below Dragonstone, its ragged wings furled in the darkish, its furnace breath scorching the cavern partitions? What beast by firelight shines mirrored in Daemon’s eyes at the same time as he shines in its personal?

We know what’s coming. Vengeance. Justice. Fire and blood.