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Connie Pan is a author and editor from Maui, Hawai‘i. She earned an MFA in fiction from West Virginia University and a BA in artistic writing from Grand Valley State University. Her writing has appeared in Bamboo Ridge, Carve, HelloGiggles, PRISM International, The Billfold, and elsewhere. An excerpt from her novel-in-progress was nominated for a Pushcart Prize.
Connie Pan is a author and editor from Maui, Hawai‘i. She earned an MFA in fiction from West Virginia University and a BA in artistic writing from Grand Valley State University. Her writing has appeared in Bamboo Ridge, Carve, HelloGiggles, PRISM International, The Billfold, and elsewhere. An excerpt from her novel-in-progress was nominated for a Pushcart Prize.
Connie Pan is a author and editor from Maui, Hawai‘i. She earned an MFA in fiction from West Virginia University and a BA in artistic writing from Grand Valley State University. Her writing has appeared in Bamboo Ridge, Carve, HelloGiggles, PRISM International, The Billfold, and elsewhere. An excerpt from her novel-in-progress was nominated for a Pushcart Prize.
Connie Pan is a author and editor from Maui, Hawai‘i. She earned an MFA in fiction from West Virginia University and a BA in artistic writing from Grand Valley State University. Her writing has appeared in Bamboo Ridge, Carve, HelloGiggles, PRISM International, The Billfold, and elsewhere. An excerpt from her novel-in-progress was nominated for a Pushcart Prize.
Connie Pan is a author and editor from Maui, Hawai‘i. She earned an MFA in fiction from West Virginia University and a BA in artistic writing from Grand Valley State University. Her writing has appeared in Bamboo Ridge, Carve, HelloGiggles, PRISM International, The Billfold, and elsewhere. An excerpt from her novel-in-progress was nominated for a Pushcart Prize.
Connie Pan is a author and editor from Maui, Hawai‘i. She earned an MFA in fiction from West Virginia University and a BA in artistic writing from Grand Valley State University. Her writing has appeared in Bamboo Ridge, Carve, HelloGiggles, PRISM International, The Billfold, and elsewhere. An excerpt from her novel-in-progress was nominated for a Pushcart Prize.
Connie Pan is a author and editor from Maui, Hawai‘i. She earned an MFA in fiction from West Virginia University and a BA in artistic writing from Grand Valley State University. Her writing has appeared in Bamboo Ridge, Carve, HelloGiggles, PRISM International, The Billfold, and elsewhere. An excerpt from her novel-in-progress was nominated for a Pushcart Prize.
Connie Pan is a author and editor from Maui, Hawai‘i. She earned an MFA in fiction from West Virginia University and a BA in artistic writing from Grand Valley State University. Her writing has appeared in Bamboo Ridge, Carve, HelloGiggles, PRISM International, The Billfold, and elsewhere. An excerpt from her novel-in-progress was nominated for a Pushcart Prize.
Connie Pan is a author and editor from Maui, Hawai‘i. She earned an MFA in fiction from West Virginia University and a BA in artistic writing from Grand Valley State University. Her writing has appeared in Bamboo Ridge, Carve, HelloGiggles, PRISM International, The Billfold, and elsewhere. An excerpt from her novel-in-progress was nominated for a Pushcart Prize.
Connie Pan is a author and editor from Maui, Hawai‘i. She earned an MFA in fiction from West Virginia University and a BA in artistic writing from Grand Valley State University. Her writing has appeared in Bamboo Ridge, Carve, HelloGiggles, PRISM International, The Billfold, and elsewhere. An excerpt from her novel-in-progress was nominated for a Pushcart Prize.
Connie Pan is a author and editor from Maui, Hawai‘i. She earned an MFA in fiction from West Virginia University and a BA in artistic writing from Grand Valley State University. Her writing has appeared in Bamboo Ridge, Carve, HelloGiggles, PRISM International, The Billfold, and elsewhere. An excerpt from her novel-in-progress was nominated for a Pushcart Prize.
Connie Pan is a author and editor from Maui, Hawai‘i. She earned an MFA in fiction from West Virginia University and a BA in artistic writing from Grand Valley State University. Her writing has appeared in Bamboo Ridge, Carve, HelloGiggles, PRISM International, The Billfold, and elsewhere. An excerpt from her novel-in-progress was nominated for a Pushcart Prize.
Connie Pan is a author and editor from Maui, Hawai‘i. She earned an MFA in fiction from West Virginia University and a BA in artistic writing from Grand Valley State University. Her writing has appeared in Bamboo Ridge, Carve, HelloGiggles, PRISM International, The Billfold, and elsewhere. An excerpt from her novel-in-progress was nominated for a Pushcart Prize.
Connie Pan is a author and editor from Maui, Hawai‘i. She earned an MFA in fiction from West Virginia University and a BA in artistic writing from Grand Valley State University. Her writing has appeared in Bamboo Ridge, Carve, HelloGiggles, PRISM International, The Billfold, and elsewhere. An excerpt from her novel-in-progress was nominated for a Pushcart Prize.
Connie Pan is a author and editor from Maui, Hawai‘i. She earned an MFA in fiction from West Virginia University and a BA in artistic writing from Grand Valley State University. Her writing has appeared in Bamboo Ridge, Carve, HelloGiggles, PRISM International, The Billfold, and elsewhere. An excerpt from her novel-in-progress was nominated for a Pushcart Prize.
Connie Pan is a author and editor from Maui, Hawai‘i. She earned an MFA in fiction from West Virginia University and a BA in artistic writing from Grand Valley State University. Her writing has appeared in Bamboo Ridge, Carve, HelloGiggles, PRISM International, The Billfold, and elsewhere. An excerpt from her novel-in-progress was nominated for a Pushcart Prize.
After 4 years in Mississippi, hardcovers and paperbacks fill the built-in bookshelves and pour over into the workplace, the studying nook, my writing house, and onto facet tables all over the place. In 9 days, everything of our dwelling shall be taped up into bins and carried away right into a shifting truck. Then, we’ll load our car and drive west to one of many U.S.’s greatest cities in Texas to dwell for six weeks with suitcases and requirements. As our to-do lists broaden, that I nonetheless must put aside books for our time in non permanent housing sans most of our belongings weighs heaviest on my mind.
Rather a lot has modified for the reason that final time I collected sufficient books for six weeks. My work life revolves round literature, so my yearly studying has noctilucent cloud-rocketed. During 2018, my final full yr in California, I learn 52 books, and I gathered 9 titles for our seashore cabin keep. During 2022, my final full yr in Mississippi, I learn 213 books, so I need to pack extra. How a lot? I’m unsure.
One certainty: A loyal poetry reader, I want you may have seen me and my love’s faces after we realized I might be separated from my private library for each single second of The Sealey Challenge, when members learn a poetry chapbook or assortment each August day. Even although our lives are altering, I cling to my traditions, believing they assist floor me. That calls for 31 poetry books, half rereads and half new-to-me — in addition to seven summer time titles for my seasonal poetry column. The style is usually sussed out since I’ve been committing books to sticky notes for months: Grand Tour by Elisa Gonzalez, Lucky Fish by Aimee Nezhukumatathil, A Shiver within the Leaves by Luther Hughes, and Then the War: And Selected Poems by Carl Phillips.
Another change: I hearken to audiobooks usually and skim ebooks sporadically, which cuts down on the heft of laborious copies. With the house that my telephone, ereader, earbuds, and chargers take up, I can carry myriad books. Currently, I’ve 21 unread audiobooks and 6 unread ebooks.
Speaking of traditions, although poetry takes precedence all August, I wish to squeeze in what prose I can. Passionate about studying challenges, I’ve my annual targets to think about: my month-to-month craft e-book plus a (hopeful) steadiness of fiction, nonfiction, and poetry.
So, I dig out my sturdy grey storage dice and place it in entrance of Goldie, my beloved library cart. I stare via the plastic diamonds, questioning what to fill it with. I keep away from it. I snap an image of all that vacancy and chance to ship to bookish associates.
To gauge the quantity of prose to convey, this Virgo references details. In the primary half of 2023, I learn 87 books. On common, I end 15 books a month, about eight poetry, 5 fiction, and two nonfiction titles. According to my studying statistics, six weeks requires roughly seven fiction and three nonfiction books. At this level, I reserve my gadgets for backup, moods, and whims. Plus, I plan to go to the library and native indie bookstores ASAP, so choosing 5 fiction and two nonfiction books appears protected.
Last time we moved, I turned to Women at Work, an anthology of interviews from The Paris Review. During that transition, it fed me deeply, so the second installment, Women at Work Volume II, calls to me. I ponder beginning it earlier than our street journey. I carry it from the blue spinny chair by the window to our bed room to New Orleans like a piece of rose quartz. I don’t open it, however its presence soothes me.
Before my fiction and nonfiction cabinets, I select books by studying first sentences, paragraphs, and pages. Because I’m saying goodbye to this metropolis the place I spent a number of journeys across the solar, I add a Mississippi e-book, Where the Line Bleeds by Jesmyn Ward, to my dice. In case icky afternoons come up, I add consolation reads and rereads, Death by Dumpling by Vivien Chien and Safekeeping: Some True Stories from a Life by Abigail Thomas. I add a summery title, Thirst for Salt by Madelaine Lucas, seeing ‘tis the season. I add the latest releases I personal to really feel up to the mark: Ghost Girl, Banana by Wiz Wharton and Banyan Moon by Thao Thai.
Unsurprisingly, impulses activate, and my cautious studying math flutters out the window into the humid afternoon. I merely wish to exist near sure books. I write subsequent to a stack of inspiring titles and think about one for safety. I add my paperback copy of Love within the Time of Cholera by Gabriel García Márquez. And what concerning the go-to titles I pull from my poetry bookcase to learn a bit or 5 of? I add Bright Dead Things by Ada Limón and Postcolonial Love Poem by Natalie Diaz and Space Struck by Paige Lewis.
Room nonetheless stays, and my thoughts is now teeming with Tetris-like crafty of what else I can match within the dice…
If you’re a e-book lover confronted with an impending transfer and are inquisitive about how Rioters sort out the impossible-feeling state of affairs, learn 7 Things I Learned from Sorting, Packing, and Storing My Books; 8 Tips for Moving When You Have a Ton of Books; and How To Pack Books For Moving.
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