[INTERVIEW] Nate Mars Unveils Official Remixes From Liondub, Tim Reaper, Starkey & His Own New Original ‘Parallelogram’

Nate Mars not too long ago unveiled his newest venture, the In Time (Remixes) assortment, that includes reimagined variations of his authentic In Time EP, launched simply final November. This eagerly anticipated launch showcases remixes by esteemed artists Liondub, Tim Reaper, and Starkey, every injecting their distinctive aptitude into Mars’ tracks. Alongside these remixes, Mars introduces “Parallelogram,” a recent authentic observe that completely encapsulates his signature type.

Kicking off the In Time (Remixes) is Liondub’s reinterpretation of the title observe, “In Time.” Liondub, a seasoned determine within the international drum and bass scene, delivers a clean and polished rendition, infusing the observe with a seamless drum and bass rhythm that propels the listener ahead. With Liondub’s in depth expertise and collaborations with reggae and dancehall artists worldwide, his tackle “In Time” units the tone for the remix assortment.

Meanwhile, Tim Reaper, founding father of the esteemed Future Retro London report label, presents a complicated remix of “Starting Over.” Known for his mastery of jungle and breakbeat hardcore, Reaper showcases his technical prowess with intelligent breaks and minimalistic vocal components that spotlight the essence of high quality dance music. His remix exemplifies the spirit of authentic jungle music, staying true to the style’s roots whereas including a up to date contact.

Philadelphia-based producer Starkey rounds out the remix assortment along with his distinctive tackle “To Kill A DJ,” infusing the observe with dub/reggae influences and hard-hitting UK storage components. Starkey’s dystopian soundscape captivates listeners, seamlessly mixing Mars’ authentic along with his distinct type, demonstrating his versatility and boundary-pushing strategy to music manufacturing.

Finally, Nate Mars introduces “Parallelogram,” a brand-new authentic observe that showcases his experience in drum and bass and UK storage. With its metallic percussion, fast-paced breaks, and thick basslines, “Parallelogram” exemplifies Mars’ skill to shock and delight listeners along with his revolutionary soundscapes.

We had the chance to talk with Nate in regards to the remixes and what’s forward for this 12 months. Check it out beneath!

It appears like ‘Out Of The City’ and ‘In Time’ initiatives had been main latest highlights. What do you hope folks will take away from each of those works?

I’m very pleased with these two releases and they’re each deeply private to me. I’ve all the time been into the sound of the TB-303. It is a magical instrument that may sound hypnotic at instances or produce a driving, aggressive bassline however it’s so hardly ever used past Acid House. For the “Out Of The City” report I actually wished to push 303 norms and I believe in the end DIA LUNA and I made songs the place it serves because the glue however total, we took issues in a extra darkish pop route. That report took place by way of longtime collaboration and a sequence of reside exhibits collectively, experimenting with looped vocals, drum machines and different {hardware}. While I do DJ a bit nowadays, I nonetheless actually love enjoying reside units with the TB-303 and different gear.

For the “In Time” launch, I went again to my roots in drum and bass/jungle a bit. I’ve all the time been impressed by that sound together with 90s rave music, breakcore and early dubstep. My very first launch was truly a drum and bass launch on a compilation referred to as “Liberation Systems” which additionally featured artists like DJ Spooky, DJ Wally and others from the Liquid Sky period. That launch got here out a number of years in the past and I hadn’t launched any new drum and bass since this most up-to-date “In Time” EP which options 4 new songs. I’ve been making numerous drum and bass although and am presently sitting on numerous unreleased songs. I’ll launch extra this 12 months. In the meantime, there may be additionally a remix EP that was not too long ago launched which options remixes from Liondub, Tim Reaper and Starkey; all artists whom I deeply respect. Huge due to everybody who’s listening and supporting as nicely.

How did you and Tim Reaper, Starkey and the opposite artists for the remix EP meet? It’s superior that they’ve grow to be a part of the ‘In Time (Remixes)’ launch.

I’ve not truly met Tim Reaper earlier than. I had reached out to him a couple of remix for this venture as a result of I like his manufacturing type. He is a really prolific producer, DJ and founding father of the label FutureRetro London which has some superb releases. I’m honored that he was up for a remix. Liondub and I’ve identified one another for a few years now by way of the small New York scene. I remixed a observe for his label some time again and instantly considered him for this remix EP. Starkey and I’ve additionally identified one another for some time now and have performed a couple of exhibits collectively earlier than. His remix of “To Kill A DJ” took that tune to an entire different stage! The drums on that one sound bonkers.

Your work and fervour lengthen past the studio. What upcoming visible venture are you engaged on, and what impressed you to deal with it?

In addition to releasing songs, I like engaged on initiatives the place I can convey music or sound design to immersive experiences like visible installations and video games. I not too long ago began collaborating with a longtime buddy and visible artist Far Eye below the title Pressure + Time, the outlet for our audio/visible work collectively. We simply had a present on view at a gallery in upstate NY for a month using old skool tube TVs with looped movies that will generate completely different visible and sonic mixtures as they play. I additionally simply completed engaged on sound design for a really cool unbiased sport referred to as ‘Sound Gardner’ created by James Capuder. In the sport, you create a sonic backyard by planting varied vegetation that additionally generate sounds. Over time, sure vegetation will go away (every species having a distinct lifespan) and this generates new and fascinating sonic mixtures whereas additionally making room within the backyard to develop new timber, mushrooms and flowers. Both of those initiatives had been numerous enjoyable to work on.

There’s an environment of independence and confidence in your individual creative route evident by way of the branding and sound of the Nate Mars idea. Where does this sensibility come from?

Thank you. I attempt not to consider my “brand” an excessive amount of and simply let issues stream naturally. Especially after I’m engaged on music which I do each day, I make a degree not to consider something associated to biz and actually deal with getting the songs to a spot the place I be ok with them. When I’ve music that feels completed, then I’ll dedicate a while to consider the place the songs would possibly reside out on the earth and perhaps resonate with folks. Musically, I do spend time fascinated with pushing sure sounds I’m impressed by in new instructions although. That is what led me to jot down “songs” with the TB-303 as a substitute of “tracks” the place there are lyrics and extra of a construction. I believe the 303 has a lot room to encourage and attain new ears exterior of Acid House. This pondering can also be what led me to sing and write lyrics for the “In Time” EP. There are another innovators who’re bringing Dnb into extra of a tune construction however I believe there may be nonetheless a lot extra room for exploration.

I observed you’ve releases relationship again almost 15 years on Spotify. What received you began, and what retains you getting in music?

I’ve been a musician for a very long time, rising up enjoying bass since I used to be round 12 years outdated. Eventually that led to producing music as a result of I’d hear or think about different devices enjoying melodic components whereas I used to be practising bass or think about what the drummer was enjoying. I’ve just about all the time identified that music is one thing I’d follow. Now, I form of can’t not maintain going. If time passes and I don’t work on music for a bit attributable to varied issues that inevitably come up in life, I’ll begin feeling depressed or responsible. Music is deeply vital to me and it has all the time served as an outlet of emotional expression to have a good time the fun in life or deal with its challenges.

Are there any moments or actions that place you in a extra impressed or artistic headspace?

I believe it is extremely vital to make time to “take in” different artwork varieties. I’m form of an extroverted introvert. While I may be social, I additionally like to spend so much of time alone studying, listening to music, strolling in nature or enjoying video video games. I presently blaze by way of an excellent guide each two weeks or so and get out in nature to hike fairly repeatedly. Some superb books I’ve learn recently are “The Coming Wave” by Mustafa Suleyeman which talks in regards to the trajectory of AI and the intersection with biotechnology. I additionally discovered Rick Rubin’s “The Creative Act” to be tremendously inspiring and relevant to any artistic endeavor. Currently, I’m studying “Crime and Punishment” by Fyodor Dostoevsky after simply ending Cormack McCarthy’s newest novels, “The Passenger” and “Stella Maris”. Highly suggest all of those. Also suggest Elden Ring and Call Of Duty for PS5. Haha.

Looking again, had been there any key mentors or figures throughout your upbringing who helped put you on the trail to music?

There are a number of individuals who have significantly impacted my journey in music through the years. My good buddy and unimaginable music producer Eric Maltz who now lives in Berlin began a report label with me referred to as AlienUpRock within the early 2000s. We pressed a report, took it to shops like Breakbeat Science, Satellite and Eightball in NY when these shops had been open and labored on a bunch of music collectively. We have discovered quite a bit from one another through the years. On the movie/TV music facet of issues, my good buddy Greg Tobler is a tremendous combine engineer who has labored on some nice exhibits for HBO, Netflix and others. He has given me many alternatives through the years to hone my expertise and I’m very grateful. On the enterprise facet of issues, my good buddy Justin Klienfeld who owns rephlektor, a music PR and advertising and marketing company has given me a lot unimaginable recommendation through the years, serving to me navigate the ever-changing panorama of the business. There are so many different folks I need to shout out right here however these 3 folks come to thoughts when it comes to the direct influence they’ve had on my music. I additionally significantly belief their ears and typically share initiatives forward of launch for a vibe test. I don’t wish to share music with too many individuals earlier than I launch one thing however this crew is in my interior circle.

And whereas not essentially mentors as a result of I don’t know them personally, musical artists like Massive Attack, The Prodigy, Bjork, Apex Twin, Jamie xx, The Knife, Susumu Yakota, Philip Glass, Goldie and Moby instantly come to thoughts as having made a big impact on my work. I’m additionally deeply impressed by artists who work in different mediums like Agnes Danes, Yayoi Kusama and Tomás Saraceno.

How is 2024 in search of you? Are there upcoming releases you’ve slated, and what are your objectives?

I’m presently sitting on numerous unreleased music. Most of it’s acid leaning, drum and bass or jungle impressed and there may be additionally some actually bizarre experimental stuff thrown in. I plan to launch extra information this coming 12 months beginning in Spring of 2024. I’m additionally engaged on a fairly large audio/visible venture that includes some outdated movies that are actually within the public area. I’m enthusiastic about that venture and can have extra to share quickly!