Rock stars famously do not rise up earlier than midday, and rocks stars in massive Broadway exhibits every night time absolutely stagger awake late in the afternoons. Not Boy George.
“I’m not really rock ‘n’ roll,” he says, laughing. “I’m more frock ‘n’ roll.”
The singer-songwriter and beating coronary heart of the iconic band Culture Club is lately taking part in the function of the impresario in the Tony-Award profitable Moulin Rouge in New York City till May 12.
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The jukebox musical is a stage adaptation of director Baz Luhrmann‘s iconic 2001 movie of the identical identify starring Nicole Kidman and Ewan McGregor. It’s filled with pop tunes by Katy Perry, the Rolling Stones and Elton John.
“One of the great things about Moulin Rouge, which proves my point, is that pop music works in a theatrical space and theatrical music works in a pop space,” Boy George says.
Boy George, beforehand on Broadway in 2004 with Taboo, is a trailblazer in trend and music, with a string of hits together with Karma Chameleon, Do You Really Want to Hurt Me and Time (Clock of the Heart).
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In a latest dialog, he spoke to The Associated Press about returning to the Great White Way, his musical inspirations and the way he’s mellowed.
AP: Welcome again to Broadway. How does this really feel in comparability to Taboo?
BOY GEORGE: It’s very completely different to my final expertise, as a result of, clearly, breaking a present on Broadway is a completely different story altogether. It is a wholly completely different expertise entering into this massive, boisterous, colourful present.
AP: Is singing dwell with a band a lot completely different from being half of a stage present?
BOY GEORGE: It’s very completely different since you’re the boss. You get to resolve what occurs. If you need issues to cease or change or take a completely different course, you are able to do it. You are in cost. And in this sort of setting, you are half of a very well-oiled sort of theatrical machine.
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AP: You get to sing a few Culture Club songs on the finish of every present, Do You Really Want To Hurt Me and Karma Chameleon. Is that enjoyable?
BOY GEORGE: If you need an trustworthy reply, I might have chosen 100 different songs aside from these two, as a result of I do not essentially assume that they are essentially an important issues I’ve ever carried out.
AP: Is it enjoyable taking part in an over-the-top nightclub proprietor?
BOY GEORGE: One of the good issues about Moulin Rouge is it is such a slap of pleasure. It does not want me, so I simply add one thing. Do you perceive? It works with out me. But if you happen to can carry one thing else to it, that is tremendous thrilling.
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AP: The present has previous and new songs. Do you discover many followers on the market going again to discover the roots of right now’s music?
BOY GEORGE: There are tons of children who dig a bit deeper in the identical approach that I did. When I used to be a child, I might have simply held on to what was on the radio, however I went by means of my mother and father file assortment. I went into junk shops and I discovered albums like, “Oh, this looks interesting. Who’s this?” I had that sort of pioneering spirit to discover issues. Even now, I get enthusiastic about discovering a singer I did not learn about.
AP: You’ve obtained tattoos of musicians like Marc Bolan of T. Rex and David Bowie. Are each of them in your music as effectively?
BOY GEORGE: I believe all the perfect music is a combination of all the things you’re keen on. You know, individuals say to me on a regular basis, “Oh, that sounds like Bowie.” And I’m like, “Not by accident!”
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AP: What is making new music like for you?
BOY GEORGE: You’re all the time dipping into this pantry of concepts. There’s this large kind of inventive pantry that you just go in and relying in your temper, you would possibly pick a bit of Nina Simone. You would possibly discover some Drake and assume, “Oh, that’s interesting. What would Bowie do with Drake?” That’s how I believe: What would Bowie do with a disco observe?
AP: You’re seemingly all the time placing out new music – on Instagram, or with the band We Are Brando, or on the Argylle soundtrack.
BOY GEORGE: I in all probability am probably the most prolific songwriter I do know. I simply write day-after-day. I’m not saying each single one of them is a gem, however I believe if you maintain doing stuff, you simply get higher at it, ? When individuals discuss author’s block, what does that even imply? Because each phrase that you would presumably use already exists. Where’s the block?
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AP: Which comes first for you – melody or phrases?
BOY GEORGE: I have a tendency to hear a melody after which assume of a actually fascinating lyric. I all the time assume if you happen to discover what you need to say, you will see that a approach to say it.
AP: In your newest memoir, Karma, you write that you have grown kinder to your self and others. That’s good, proper?
BOY GEORGE: If you advised me 10 years in the past, 20 years in the past, that I might really change the way in which I take into consideration issues, I might have laughed at you. I might of gone, “Yeah, no, I’m definitely stubborn and opinionated.” And, , it is fairly good to uncover you are unsuitable.
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