Natasha Bedingfield is writing one other chapter to her U.Ok. chart story, because of a sync in Will Gluck’s rom-com Anyone But You.
The British pop singer and songwriter’s “Unwritten” (by way of Phonogenic) may return to the U.Ok. prime 20 for the primary time in 19 years.
Based on a late chart blast printed by the Official Charts Company, “Unwritten” is predicted to climb 24-20, for its first look within the prime 20.
“Unwritten” peaked at No. 6 following its launch again in 2004, and is one in every of Bedingfield’s 5 U.Ok. prime 10 hits, a tally that features a No. 1 with “These Words” (each appeared on her debut album from that yr, Unwritten).
In the Shakespeare-inspired Anyone But You, “Unwritten” performs a pivotal function within the narrative of Glen Powell’s character, and is performed and sung by a number of characters all through the movie.
It’s not the one British pop single from the early noughts having fun with a resurgence, powered by a function movie.
Sophie Ellis-Bextor‘s “Murder on the Dancefloor” (Polydor) lifted to No. 2 on the Official U.K. Singles Chart last week, following its memorable spot late in Emerald Fennell’s dark-as-coal film Saltburn — equaling its peak set again in 2001.
The Saltburn bump is actual, and it’s occurring across the globe. In the United States, “Murder on the Dancefloor” belatedly entered the Billboard Hot 100 at No. 98, and now rises to No. 58 in its second week. And in Australia, “Murder on the Dancefloor” reenters the ARIA Chart at No. 25.
As beforehand reported, Noah Kahan‘s “Stick Season” (Republic Records) is on track for a third successive week at No. 1 on the U.K. chart, while Ariana Grande’s “Yes, And?” (Republic Records) needs to be the week’s prime debut, bowing at No. 2 on the midweek tally. “Murder on the Dancefloor” is forecast to finish the U.Ok. podium, at No. 3.
The subsequent Official U.Ok. Singles Chart is printed late Friday, Jan. 19.
Discussion about this post