Obi-Wan Kenobi is without doubt one of the few Star Wars Disney+ sequence which pays direct homage to the unique George Lucas movie canon, versus sequence corresponding to The Mandalorian which closely incorporate the animated lore created by Dave Filoni.
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Episodic director and EP Deborah Chow had the daunting process of taking on the baton left behind by Lucas within the 2005 Episode III film Star Wars: Revenge of the Sith, stylistically and story smart, to inform the persevering with story of Obi-Wan Kenobi, Anakin Skywalker-turned-Darth Vader and the younger twins Leia and Luke.
Chow stepped into the sequence to direct all six episodes after one other director vacated. She acknowledges that the sequence was initially hatched as a standalone film on the newest episode of Crew Call.
Chow’s greatest hurdle in your entire sequence was capturing throughout the thick of Covid — earlier than there was a vaccine. The sequence was initially set to shoot in London, however wound up being shot throughout the road from The Mandalorian‘s soundstages in Los Angeles.
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“It was pretty intense,” says Chow, who did all her pre-production prep from Toronto. She didn’t meet her key artistic division heads in-person till filming commenced.
“Anything with background was always stressful because we had little Leia (Vivien Lyra Blair) running around,” Chow tells us. However, “we didn’t get shutdown.”
We discuss with Chow about Ewan McGregor and Hayden Christensen’s taking on their characters greater than a decade later, and why she selected the ultimate episode “Part VI” as her Emmy submission.
As far as extra Obi-Wan Kenobi?
“This was conceived as a limited series, it is closed,” says Chow.
However, “There’s ten more years before New Hope, so never say never.”
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