★★½
The hair-raising horror/thriller Prey for the Devil, directed by Daniel Stamm, gives a unique tackle the exorcism style. It stars Jacqueline Byers (Bad Samaritan), Christian Navarro (13 Reasons Why), Colin Salmon (Resident Evil), Virginia Madsen (Candyman), Nicholas Ralph (All Creatures Great and Small), Ben Cross (Star Trek), and it’s the debut film for Posy Taylor.
Women who work in male-dominated professions have needed to take care of quite a lot of sexism, and exorcism is not any exception. In the world of Prey for the Devil, the Roman Catholic Church has reopened exorcism colleges so as to practice monks to carry out these rituals due to the rise in demonic possessions. Nuns are forbidden to coach in the area, however a professor sees the presents that Sister Ann (Byers) possesses and permits her to audit the class.
Sister Ann has handled the trauma of possession her entire life. Her mom was the sufferer of a demon when Ann was a baby, and the emotional injury of her mom’s violent outbursts plague Ann to at the present time. It is due to this that Ann works at one in all these colleges to assist heal the bodily illnesses of the troubled whereas the monks work on the sufferers’ non secular circumstances. It isn’t lengthy earlier than she comes face-to-face with a demon she acknowledges as the one who tormented her mom. But can she save the soul of the younger lady that the demon now possesses?
Jacqueline Byers does a superb job as Sister Ann. She is decided, caring and charismatic. It is troublesome to not root for her as she offers with the repercussions of previous wounds and as her previous collides with the current. Posy Taylor does a beautiful job as effectively, as the a part of a possessed 10-year-old youngster looks as if fairly a demanding function. She is sympathetic and candy with simply sufficient thriller to maintain moviegoers guessing.
Prey for the Devil thrives in its performing and cinematography. But whereas the actors and actresses carry out satisfactorily, the script is overly riddled with tropes and is plagued with its personal demon: predictability. There are additionally a number of subplots and plot factors that are left hanging. The film begins with a daring assertion: the variety of possessions is on the rise. But it’s by no means defined why, nor does it add to the plot.
One of the the explanation why The Exorcist was so groundbreaking—and heartbreaking—was as a result of the sufferer of the possession (Regan) was so harmless. Since she was so pure, it made the possession extra horrific and heinous. The writers for Prey for the Devil attempt to flip that on its head by having the victims on this movie take care of trauma and guilt. They aren’t dangerous individuals, however they’re tormented. However, this isn’t examined in distinctive methods. Instead, they make the most of drained tropes which viewers have seen time and time once more.
For moviegoers particularly in the temper for a thriller with some horrific parts and a few nice bounce scares, Prey for the Devil could also be simply the ticket. Despite the predictability, it’s nonetheless a enjoyable experience and a good film so as to add to the exorcism subgenre.
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