Sofia Coppola’s movie Priscilla has simply been launched in Australia and tells the exceptional story of a younger Priscilla Presley and the early days of her life with Elvis.
The movie, starring Australian actor Jacob Elordi and Cailee Spaeny, is getting rave evaluations from critics and even obtained the seal of approval from Priscilla Presley herself, who served as an govt producer on the challenge.
Now, costume designer Stacey Battat has informed 9Honey Australia about working on the highly effective movie – and how she used clothes to assist painting Priscilla’s story on display screen.
READ MORE: Cody’s candy response to Emma McKeon’s Australia Day honour
READ MORE: Robert Irwin and girlfriend Rorie’s shock tennis outing
Battat defined that not solely will we see the character Priscilla’s clothes change over time as she grows up on display screen, however she really decided to place Elordi’s Elvis in ”background colors” so that viewers know it’s “her story”, not his.
The film is based on Priscilla’s 1985 memoir, Elvis and Me.
“Early on I knew we needed to discover methods to make Cailee go from [ages] 14-27, and I additionally knew Elvis needed to appear accessible,” Battat defined.
READ MORE: Kylie Minogue followers threaten to riot over main snub
“Those were the biggest challenges and certainly informed the costumes.
“With Pricilla it was vital to vary the colors and silhouette of the garments to boost the place she was on the time, and with Elvis, on high of selecting period-appropriate seems that felt a-bit extra cosy and intimate, I additionally relegated him to background colors.
“He wasn’t in the reds or flashy things we usually think of him in. It had to be her story and I really didn’t want him to visually overshadow her. It was a story that took place behind-the-scenes.”
Speaking about Priscilla’s character development in the movie, Battat famous: “She started out dreamy eyed and the world came clearer to her as the story progressed.”
Valentino made a few of Elvis’ garments for the movie, which additionally recreated the well-known couple’s marriage ceremony in Las Vegas in May 1967.
For the scene, she labored with Chanel’s inventive director to recreate the marriage gown, which Priscilla Presley really bought from a division retailer.
“It had to be her story, and I really didn’t want him to visually overshadow her”
Battat described Priscilla Presely’s fashion as ”iconic” and said her team helped alleviate the “concern and stress” of recreating some of the couple’s most-famous looks.
Talking about working with Elordi and Spaeny, Battat said the pair ”were incredibly collaborative” on set.
For a day by day dose of 9Honey, subscribe to our publication right here
“He’s an angel!” Battat mentioned.
“He was very patient and really came to lots of fittings to ensure his character looked right. Cailee is also incredible.”
Batt has labored with director Sofia Coppola on movies, together with The Bling Ring and The Beguiled, and informed 9Honey about their friendship and working relationship.
“Who says no to Sofia Coppola? I would work with her on anything she asked me to,” Battat mentioned.
“Sofia is a wonderful collaborator. She has an idea what it is she is looking for but allows us each to explore those ideas. She is also gentle and graceful on set.”
Sofia Coppola’s Priscilla is in cinemas now.
Discussion about this post