Posted in: Comics, Marvel Comics, Stan Lee | Tagged: Femizons, Slam-Girl, Stan Lee Holdings
The Omniverse Collection of IP contains greater than 100 characters and storylines Stan Lee created, together with the Femizons.
In 1971, Marvel Comics revealed Savage Tales #1, a non-Code Conan anthology black-and-white comedian journal that featured Ka-Zar and the primary look of Man-Thing, and The Femizons or The Sisterhood (the identify differed on the quilt and contained in the comedian) which was credited as being created and written by the late Stan Lee and drawn by John Romita Sr, who handed away two weeks in the past.
This was Stan Lee’s “women’s liberation” comedian impressed by feminists and their “picketing, bra-burning”, and you may just about guess what’s coming. A bunch of ladies in little or no clothes working round a future fantasy world the place ladies have established themselves because the dominant gender. Savage Tales was cancelled after the primary difficulty, and when it returned, it was with out the Femizons. But now, it appears, they’re to return.
The Omniverse Collection of IP contains over 100 characters and storylines Stan Lee created at Stan Lee Media between 1999 and 2000 and is now being claimed by Stan Lee Holdings, together with Slam-Girl, The seventh Portal, The Drifter, and The Accuser. The Omniverse Collection additionally consists of the Femizons, the rights to which apparently reverted again to Stan Lee’s firm as a part of an employment contract, beforehand unknown till now.
Stan Lee Media was based in 1999 as the most important web animation studio in Hollywood on the time, using 150 writers, artists, and animators, to create and produce authentic superheroes for the web as a then-new medium. The dot com bust occurred, and the studio went below. Stan Lee Holdings was apparently arrange to purchase the belongings.
They do clearly state for the attorneys, The Omniverse Collection created by Stan Lee, SLH Ltd, or SPACEMOB are usually not affiliated with Marvel, POW!, Genius Brands, the Estate of Stan Lee, or Stan Lee Universe.
Shirrel Rhoades turned govt vice chairman of Marvel Entertainment in 1996, succeeding Stan Lee as writer of Marvel Comics throughout the chapter years. In 2001 he was let go, changed by Bill Jemas, and Rhoades moved to Reader’s Digest, one in every of many publishing jobs he has had. He wrote the textbooks A Complete History of American Comics Books and Comic Books: How the Industry Works and, at one level, joined Red Giant’s board of administrators. The writer that attempted to give 1,000,000 copies of comics away free of charge, funded by promoting, and had a large presence at San Diego Comic-Con. Until they all of a sudden did not.
And now he is again, working with Stan Lee from past the grave as director of Stan Lee Holdings is working with Spacemob CEO Eric Keith, who has apparently secured the rights to these Stan Lee IPs. Spacemob states that they may function the Business Development, Creative Development, and Business Affairs Agency for Stan Lee Holdings’ properties. “This content is going to be a gift to superhero fans all around the world and a tribute to the legacy of Stan Lee. The characters and stories are fantastic, and I am honored to be representing them,” acknowledged Eric Keith.
Spacemob states, “The role that Stan Lee played in the early days of the internet as an entertainment medium has largely been lost to history. As both Chairman and Chief Creative Officer, Stan established Stan Lee Media. This studio produced the internet’s first high-concept animated “webisodes” (a term coined by Stan Lee himself).” Was it? Possibly, Wikipedia has it because the “first public use of the word webisode, attributed to Stan Lee Media in the marketing and promotion of The 7th Portal online superhero series created by Jesse Stagg and Steven Salem“. So there you go. Stan Lee Media closed in 2000.
Slam Girl was Lee’s meant feminine counterpart to Spider-Man, credited with Spider-Man and X-Men animation director Will Meugniot, and is now a collection of NFTs. Stan Lee Holdings states that “Stan adopted the perspective of a Millenial slacker 20-something anti-super heroine” and “Stan wondered how a budding feminist from the Millenial generation would relate to the burdens created by the uninvited imposition of multiple superpowers that would turn her mundane slacker experience into the 21st-century symbol of female empowerment.” Basically, Femizons Mark Two.
“Having worked side-by-side with Stan Lee at Marvel, I was honored when asked to curate his later works,” says Shirrel Rhoades. “I was amazed to find characters I’d never heard of, superheroes designed for the Internet Age. Among these were long-lost creations like Slam-Girl, Stan’s planned successor to Spider-Man, and The Drifter, a superhero with alien DNA who jumps among the multiverse. These characters will indeed put fresh luster on Stan’s reputation as one of the greatest creators America has ever produced,” acknowledged Shirrel Rhoades.
That popularity could also be argued with, particularly by those that objected to the latest hagiographic Stan Lee documentary on Disney+. Maybe these will discover it becoming that the eventual destiny of those creations is blockchain NFTs after the market’s top for such issues. But as Marc Toberoff has been efficiently combating for the property of comedian ebook creators to get their rights reverted for all method of Marvel comedian ebook creations– or somewhat get a large payout for a brand new deal, it is intriguing to know that Stan Lee managed to set the groundwork for the reversal of his personal rights many years in the past, and signed them over.
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