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Sundance 2023 Women Directors: Meet Rebecca Landsberry-Baker – “Bad Press”

Sundance 2023 Women Directors: Meet Rebecca Landsberry-Baker – “Bad Press”

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Rebecca Landsberry-Baker is a Sundance Institute Documentary Film Program grantee, Ford Foundation SimplyFilms grantee, and a 2022 NBC Original Voices Fellow. She is a 2022 Gotham Documentary Feature Lab Fellow and was chosen to the Harvard Shorenstein News Leaders Fall 2022 cohort. She is an enrolled citizen of the Muscogee Nation and the chief director of the Native American Journalists Association, a nonprofit group advocating for correct protection and illustration of Indigenous individuals in media. Landsberry-Baker is a 2018 recipient of the National Center for American Indian Enterprise Development’s Native American 40 Under 40 award.

“Bad Press” is screening on the 2023 Sundance Film Festival, which runs from January 19-29. The movie is co-directed by Joe Peeler.

W&H: Describe the movie for us in your personal phrases.

RLB: “Bad Press” paperwork the combat without cost press within the Muscogee Nation and follows tenacious reporter Angel Ellis and a hilarious crew of fellow Indigenous journalists as they trip a tribal politics rollercoaster.

W&H: What drew you to this story?

RLB: In my former life as a print editor at Mvskoke Media, I skilled censorship within the newsroom alongside our movie’s individuals, a lot of whom are fellow Muscogee residents and journalists. Tribal media face distinctive challenges in protecting their very own communities, together with sometimes “slaying heroes,” as journalist Angel Ellis places it, so this story may be very private to me.

During my time as a member, and ultimately as govt director of the Native American Journalists Association (NAJA), I’ve witnessed tribal journalists being censored for unfavorable protection, so I needed to inform the Muscogee journalists’ story of the battle without cost press in Indian Country. I’m so grateful they’ve trusted me to share it with the world.

W&H: What would you like individuals to consider after they watch the movie?

RLB: For each my fellow residents and a broader viewers, It was necessary for me to spotlight how an impartial media can strengthen tribal sovereignty as a result of it supplies accountability, transparency, and finally empowers knowledgeable decision-making amongst the individuals.

W&H: What was the largest problem in making the movie?

RLB: Filming over the course of three full years from 2019-2021 with a staff that had different full-time jobs — together with me — whereas we adopted this story was significantly difficult, particularly through the top of the pandemic. We additionally had three infants born between the 5 producers, together with my daughter, Rosie, to my husband and producer Garrett Baker and me, over the course of manufacturing. Juggling childcare with directing and my full-time job with NAJA continues to be a day by day problem!

W&H: How did you get your movie funded? Share some insights into how you bought the movie made.

RLB: Our staff has obtained grants from Ford Foundation, the Sundance Institute Documentary Film Program, 2022 NBC News Original Voices Fellowship, and funding by fairness investments.

W&H: What impressed you to turn into a filmmaker?

RLB: With my background in journalism and connection to this story and our individuals, documenting the combat without cost press actually turned my duty as a member of this neighborhood. Now that I’ve skilled how highly effective and impactful this type of storytelling will be, I need to encourage different Indigenous journalists to discover documentary filmmaking as a option to share the pressing, nuanced, and entertaining tales which are already right here in our Indigenous communities.

W&H: What’s the perfect and worst recommendation you’ve obtained?

RLB: Any time I used to be discouraged from pursuing one thing necessary to me — whether or not that was a narrative I needed to jot down in The Muscogee Nation News in my early profession or now to “airing the tribe’s dirty laundry” in a characteristic documentary — I’ve all the time additionally been motivated by being underestimated. I find it irresistible when somebody tells me I can’t do one thing as a result of I’m too younger — don’t hear that one a lot anymore, haha — or too inexperienced.

Indigenous individuals are scrappy AF and we’ll discover a option to succeed!

W&H: What recommendation do you’ve got for different girls administrators?

RLB: As a first-time or early-career filmmaker, don’t let your inexperience maintain you again from telling the tales which are most necessary to you. Your views are important to the range of the media panorama and to storytelling that’s consultant of the distinctive female expertise. We want you!

W&H: Name your favourite woman-directed movie and why.

RLB: I’ll use this house to amplify fellow Indigenous director Erica Tremblay (Seneca-Cayuga Nation) who will even be premiering her characteristic movie “Fancy Dance” on the 2023 Sundance Film Festival. I’d love to fulfill her!

W&H: What, if any, tasks do you suppose storytellers should confront the tumult on the earth, from the pandemic to the lack of abortion rights and systemic violence?

RLB: Storytellers are important to the understanding of important societal points as a result of they contextualize data and doc key moments in our dwelling historical past. As journalists and documentarians, we completely have a duty to indicate the human affect of coverage and decision-making by the elected leaders who’re entrusted to guard our greatest pursuits.

W&H: The movie trade has an extended historical past of underrepresenting individuals of colour onscreen and behind the scenes and reinforcing — and creating — destructive stereotypes. What actions do you suppose have to be taken to make Hollywood and/or the doc world extra inclusive?

RLB: Incentivize hiring and supporting BIPOC above- and below-the-line expertise by new and expanded funding alternatives, mentorships, and culturally related applications that goal to foster private growth in storytelling broadly, not simply in filmmaking — creatively, financially, virtually, and spiritually. Provide psychological well being and childcare help and stipends for these with households!



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