Taylor Swift is getting actual concerning the double requirements of love.
Upon the discharge of her re-recorded 1989 (Taylor’s Version) — which hit cabinets on Friday, October 27 — Swift dropped an extra 5 bonus songs “from the vault” for followers to take pleasure in. In one of the by no means earlier than heard tracks, titled “Slut! (Taylor’s Version),” the Grammy winner seemingly particulars having to “pay the price” of being a girl in love — an impediment her companion doesn’t should face.
“But if I’m all dressed up / They might as well be lookin’ at us / And if they call me a slut / You know it might be worth it for once,” she sings within the refrain. “And if I’m gonna be drunk / I might as well be drunk in love.”
In the second verse, Swift notes the sophisticated dichotomy of falling for somebody within the highlight, singing, “Send the code, he’s waitin’ there / The sticks and stones they throw froze mid-air / Everyone wants him / That was my crime / The wrong place at the right time / And I break down, then he’s pullin’ me in / In a world of boys, he’s a gentleman.”
Swift’s relationship life has been the topic of public scrutiny for years, with the singer usually getting candid about being judged for her previous romances — particularly in her early 20s.
“When I was 23 and people were just kind of reducing me to, like, kind of making slideshows of my dating life and putting people in there that I’d sat next to at a party once,” Swift defined throughout an October 2019 interview with Zane Lowe on Apple Music’s Beats 1, including that the commentary round her relationships is nothing greater than a option to “slut-shame” and devalue her songwriting.
“I don’t think people understand how easy it is to infer that someone who’s a female artist or a female in our industry is somehow doing something wrong by wanting love, wanting money, wanting success,” she continued. “Women are not allowed to want those things the way that men are allowed to want them.”
Success is actually one thing Swift has discovered. 1989 — which initially dropped in October 2014 — shortly turned a crucial success upon its launch. The document, which marked her official debut within the pop world, was her first collaboration with producer Jack Antonoff and featured a synth-heavy, 80s-inspired sound totally different from her previous work. In 2016, Swift scored her second Album of the Year Grammy win for 1989, which went 9 occasions platinum.
“I want to say to all the young women out there: There are going to be people along the way who try to undercut your success or take credit for your accomplishments or your fame,” she stated throughout her Grammy’s acceptance speech. “But if you just focus on the work and you don’t let those people sidetrack you, someday, when you get where you’re going, you will look around and you will know — it was you, and the people who love you, who put you there. And that will be the greatest feeling in the world.”
While Swift by no means “names names” in her music, many followers imagine that the majority of 1989’s tracklist is impressed by her relationship with Harry Styles, with songs like “Out of the Woods” and “Style” containing lyrics that trace on the pair’s transient romance. The musicians had been first linked in 2012 earlier than calling it quits in January 2013.
Swift introduced 1989 (Taylor’s Version) throughout her closing Los Angeles Eras Tour present in August. Swift revealed her plans to revisit the albums in 2019 after her masters had been purchased by Scooter Braun in an acquisition together with her former label, Big Machine Records. Braun later offered the masters for $300 million to a personal fairness firm.
“I’ve spoken a lot about why I’m remaking my first six albums, but the way I’ve chosen to do this will hopefully help illuminate where I’m coming from,” Swift wrote by way of Instagram in February 2021. “Artists should own their own work for so many reasons, but the most screamingly obvious one is that the artist is the only one who really knows that body of work.”
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