The ACA Cinema Project has introduced a brand new movie sequence showcasing ladies visionaries in Japanese cinema, The Female Gaze: Women Filmmakers from Japan Cuts and Beyond. A press launch introduced that the sequence that includes modern and traditional administrators, producers, cinematographers and screenwriters can be held from November 11 to twenty in New York.
With titles chosen by Japan Society and the Japanese Agency for Cultural Affairs (ACA), the sequence will highlight “the essential roles that female artists play from behind the camera in Japanese cinema — ranging from directing and screenwriting to production and cinematography.”
The North American premiere of Akiko Ohku’s comedy “Wedding High” (“ウェディング・ハイ”) will open the sequence. The pic tells the story of a pair whose excellent marriage ceremony is derailed by marriage ceremony company with questionable agendas.
The Female Gaze may also characteristic an array of screenings and premieres of each mainstream and unbiased initiatives from alumni of JAPAN CUTS, North America’s largest modern Japanese movie fest, providing a “a much-needed deep dive into the remarkable and overlooked contributions of women in contemporary Japanese cinema.”
The sequence contains Yukiko Mishima’s “a stitch of life” (“繕い裁つ人”), a portrait of a dressmaker who makes use of conventional methods inherited from her grandmother, and “The Nighthawk’s First Love” (“よだかの片想い”), Yuka Yasukawa’s story of a grad scholar reluctant to pursue love as a consequence of a facial birthmark. The former is making its New York premiere and the latter is making its worldwide premiere.
The sequence will host the worldwide premiere of a 4K restoration of Kon Ichikawa’s 1960 household melodrama “Her Brother” (“おとうと”). Based on Aya Koda’s autobiographical novel, the movie is penned by Yoko Mizuki and tells the story of Gen, a lonely girl who should take care of her distant author father and Christian stepmother.
The Female Gaze may also highlight rising stars in Japanese cinema, together with Risa Negishi, whose quick “two of us” (“ふたり”), a fragmented, nonlinear narrative about two ladies dealing with emotional hardship who lean on one another for mutual assist and solidarity, will display.
The ACA Cinema Project was based by the Japanese authorities’s ACA to “create opportunities for the increased exposure, development and appreciation of Japanese cinema overseas through screenings, symposiums and other events held throughout the year,” in line with the challenge’s description within the press launch.
Check out the whole lineup for The Female Gaze: Women Filmmakers from Japan Cuts and Beyond on the movie sequence’ web site.
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