The Worst Song From Every Beatles Album

The Beatles catalog consists of so many traditional and timeless songs, it is simple to neglect that not all of them are gold. As their albums received higher, and their inventive impulses grew stronger, selecting out the lesser numbers will get harder, as you will see within the under checklist of the Worst Song on Every Beatles Album.

Sometimes it was a unexpectedly written and recorded monitor to fill out an LP size; different instances, it was a canopy tune that was essentially the most skippable tune on an album. There are in-studio goofs, foreign-language remakes of an enormous hit and solo throwaways that do not even make it to the minute mark discovered under.

Nobody was spared. Paul McCartney and George Harrison are essentially the most represented – the previous’s love of old-timey music did not usually slot in with the band’s experimental nature; the latter did not hit his songwriting stride till later – however John Lennon takes the lead on a tune or two, and even Ringo Starr might be heard within the background of 1 monitor, although the songs wherein he sings lead are so few that the legislation of averages works in his favor right here.

“Misery”
From: Please Please Me (1963)

An early Lennon and McCartney tune that includes each on lead vocals and struggling to search out some footing.

“Till There Was You”
From: With the Beatles (1963)

The Beatles might be forgiven for a number of the groan-inducing covers on their debut album. But there is no excuse for this Music Man present tune to be on the second.

“When I Get Home”
From: A Hard Day’s Night (1964)

Typical Beatles tune from the Beatlemania days. Nothing particular.

“Everybody’s Trying to Be My Baby”
From: Beatles for Sale (1964)

Two Carl Perkins songs present up on the second facet of the Beatles’ fourth album. Starr sang the opposite one, Harrison has this one. They had outgrown these kinds of lazy covers by this time.

“Tell Me What You See”
From: Help! (1965)

The Beatles had superior a lot on Help! that this forgettable tune looks as if a step backward.

“Think for Yourself”
From: Rubber Soul (1965)

Like his bandmates, Harrison was beginning to develop as a songwriter on Rubber Soul. But he nonetheless had a solution to go.

“I Want to Tell You”
From: Revolver (1966)

Harrison wrote and sang three songs on Revolver. This one’s the best to neglect.

“Good Morning Good Morning”
From: Sgt. Pepper’s Lonely Hearts Club Band (1967)

The lead-in to the reprise of Sgt. Pepper’s title monitor and the album’s wonderful finale, “Good Morning Good Morning” just isn’t too dangerous.

“Your Mother Should Know”
From: Magical Mystery Tour (1967)

One of McCartney’s post-Sgt. Pepper misfires is finest recognized for its elaborate dance sequence within the Magical Mystery Tour film.

“Wild Honey Pie”
From: The Beatles (1968)

Fifty-two seconds of McCartney nonsense from the White Album.

“All Together Now”
From: Yellow Submarine (1969)

Recorded proper after Sgt. Pepper’s however left within the vault till the Yellow Submarine soundtrack. Not important, not horrible.

“Sun King”
From: Abbey Road (1969)

The second facet of Abbey Road is just about freed from the self-indulgent songs that ran by elements of the White Album. The medley’s second piece just isn’t a type of songs.

“Maggie Mae”
From: Let It Be (1970)

Less than a minute lengthy and tossed off in the course of the Get Back/Let It Be recordings, the normal Liverpool folks tune at the very least reveals the occasional informal method the group took in the course of the periods once they weren’t at one another’s throats.

“Komm, Gib Mir Deine Hand”
From: Past Masters, Volume One (1988)

The Beatles recorded two of their greatest hits in German as a thank-you to their early Hamburg followers. The reworked “She Loves You” is best than this lifeless take of “I Want to Hold Your Hand.”

“You Know My Name (Look Up the Number)”
From: Past Masters, Volume Two (1988)

The B-side of the “Let It Be” single is one other artsy throwaway, within the vein of “Revolution 9” and “What’s the New Mary Jane.” Started within the Sgt. Pepper’s period, accomplished round Abbey Road.

“You Know What to Do”
From: Anthology 1 (1995)

When Harrison lastly hit his stride, he grew to become the Beatles’ ace within the gap. But this early tune, supposed for A Hard Day’s Night, reveals why his songs have been nonetheless being handed over at this level.

“That Means a Lot”
From: Anthology 2 (1996)

A McCartney-penned tune from the Help! periods that singer P.J. Proby had a minor hit with within the U.Ok. Forgettable – no shock it did not make the ultimate lower.

“What’s the New Mary Jane”
From: Anthology 3 (1996)

The White Album already had “Revolution 9,” so this six-minute slice of avant-garde nonsense was shelved till the third Anthology document.