Sony’s A Man Called Otto started the primary section of a three-step rollout this weekend in an unique run at 4 LA and NY theaters, grossing $60k, for a $15k per display common, over the three-day weekend. The four-day estimated gross is $75K, or an $18.7k PSA.
The check for the remake of the Swedish movie primarily based on a New York Times bestseller might be when it opens vast Jan. 13.
Otto made $23k Fri., $17k, Sat. and an estimated $21k Sun. and $18k Mon.
Sony Pictures Classics introduced documentary Turn Every Page – The Adventures of Robert Caro and Robert Gottlieb at two theaters NY and LA to a three-day debut of $12k at two places –a $6,012 PSA. The doc explores a exceptional fifty-year relationship between two literary legends, author Robert Caro and his longtime editor Robert Gottlieb
Also this weekend, Neon’s Broker in week two grossed $28,2k on 4 screens for the three days and $34.7k for the 4 days for an estimated cume of $60k.
IFC Films expanded Marie Kreutzer’s Corsage to Los Angeles in its second body, opening completely on the Laemmle Royal Theatre on 12/30, whereas holding onto runs on the IFC Center and Film at Lincoln Center in New York City. It grossed an estimated $30k over the three-day weekend and $37k over the 4-day weekend, for estimated per-theater-averages of $10k and $12.3, respectively, in three theaters. The movie starring Vicky Krieps expands to over 200 places Friday.
Also in week two, United Artists Releasing held Sarah Polley’s Women Talking in eight runs in 5 markets (New York, Los Angeles, Chicago, Austin, and Toronto) incomes $42k for the three days, and an estimated $53k for 4-days for a cume by way of Sunday of $148.5, and a cume by way of Monday $159k, with ongoing sturdy exit scores and significant evaluations.
It expands this coming weekend to 30 runs in ten markets, and additional on 1/13.
From Sideshow/Janus, EO grossed an estimated $71.7k for the 4 days ($60.7 3-day) in 44 theaters for a per of display common of $1.6k and a brand new cume of $455.15k. No Bears grossed an estimated $7.7k ($6,650 3-day) on a single display for a cume of $23,205.
Other notable holdovers: A24’s launch of Darren Aronofsky’s The Whale on 623 screens, Universal’s The Fabelmans by Steven Spielberg on 1,149, and Searchlight Pictures The Menu by Mark Mylod on 860 screens ranked 7,8,9 within the home prime ten.
The Whale: estimated three-day weekend, $1.3 million; four-day, $1.7 million; cumulative gross $6.1 million.
The Fabelmans: estimated three/4 day of $1.14 million/$1.5 million; complete estimated cume $12.5 million.
The Menu: three day, $1.07 million; 4 day, $1.4 million; projected cume by way of Sun. $36.1 million; by way of Mon. of $36.4 million.
Discussion about this post