Somebody requested Muddy Waters what his blues meant. His reply: “Trouble.”
“What I meant was that the blues – from the gutbucket, alley blues, which I can offer, right straight up to the sophisticated, drawing room lament fashioned by that master musician Duke Ellington — the blues belong to my people,” the legendary bluesman instructed the Chicago Defender in 1955. “The blues are an expression of trouble in mind, trouble in body, trouble in soul. And when man has trouble, it helps him to express it, to let it be known.”
Waters, like lots of his friends, subscribed to the assumption that the blues stemmed from a deeply emotional heart the place ache, hardship and perseverance drove their music. “No one can duplicate the blues I create and play,” he famous. “And neither can I imitate the ones who came after me. What makes me proud is that in making a success for myself in Chicago, I was able to open the doors for other blues artists to come up. Maybe that happened in other parts of the country, too.”
It occurred in different elements of the world, too. From the U.S. to the U.Ok., blues enraptured legions of younger musicians, together with Jeff Beck, Jimmy Page, Peter Green and Keith Richards, who had been simply beginning to discover their means across the necks of their guitars. As with rock ‘n’ roll, the blues was an inherently malleable style in these younger palms.
“I loved rock ‘n’ roll, but there’s got to be something behind the rock ‘n’ roll – there had to be,” Richards instructed The Guardian in 2009. “We found, of course, that it was the blues. And, therefore, if you really want to learn the basics, then you’ve got to do some homework. We all felt there was a certain gap in our education, so we all scrambled back to the ’20s and ’30s to figure out how Charley Patton did this, or Robert Johnson, who, after all, was and still probably is the supremo. Blues didn’t just mean doing one thing or another. There was a lot of room to maneuver around the blues.”
An complete era of blues-rock albums was born from this academic shift within the U.Ok. (Yardbirds, the (*40*) Stones, Led Zeppelin) and the U.S. (ZZ Top, the Allman Brothers Band, Stevie Ray Vaughan) beginning round 1964. We rely down the Top 40 Blues Rock Albums under.
Top 40 Blues Rock Albums
Inspired by giants like Muddy Waters, Robert Johnson and B.B. King, rock artists have put their very own spin on the blues.
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