If you’re a fan of Daisy Jones & the Six, then you definately doubtless have the Prime Video drama’s soundtrack caught in your head.
The present’s spectacular roster of music consists of 25 authentic songs, written or co-written by Grammy Award winner Blake Mills with the assist of musicians/songwriters corresponding to Marcus Mumford, Phoebe Bridgers, Jackson Browne and Taylor Goldsmith, amongst others. The catchy tunes, carried out by the present’s solid, vary from Daisy Jones & the Six hits like “Look at Us Now (Honeycomb)” to disco gems from Daisy’s BFF Simone to early Dunne Brothers rock numbers.
The Aurora album by Daisy Jones & the Six, particularly, “sounds like a band from the ‘70s that sounds kind of like other things, but actually is completely unique,” Suki Waterhouse, who performs keyboardist Karen, enthuses.
TVLine requested the present’s stars and government producers to do the unattainable: choose their favourite authentic music from the collection’ deep bench of legit earworms. Their decisions embody band staples like “Let Me Down Easy” and “Regret Me,” but in addition lesser featured tracks from Aurora, in addition to a few non-Daisy Jones & the Six picks.
Plus, the group’s chief singers, Riley Keough and Sam Claflin, reveal which songs they discovered the most difficult to sing, a lot in order that Claflin vows to by no means carry out one in all them once more.
Review the solid and EPs’ favourite tunes under and hearken to them by urgent PLAY on the movies. Then hit feedback to share your No. 1 choose! (For scoop on the finale’s huge moments, take a look at our publish mortem right here.)
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“Flip the Switch”
Although the Dunne Brothers music predates Daisy’s time with the Six, it’s nonetheless a favourite of her portrayer Riley Keough. “I love that song, and it’s just so cute,” the actress says. “[They] would play it, and I’d watch, and it was so sweet.”
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“Look at Us Now (Honeycomb)”
Billy’s first duet with Daisy stands out for his portrayer Sam Claflin, who calls it “a real feel-good song.”
“It really goes on such a journey, as well,” the actor continues. “There are moments where it gets really fast, and then it gets slow, and then it slows down completely, and then it goes back to going fast. It just sort of hits all the right notes.”
Keough additionally singles out the breakout hit that modifications the trajectory of Daisy and Billy’s careers. “I often forget ‘Honeycomb’ because it’s, like, so obvious,” the actress says, including that she and Claflin didn’t sing it too many instances throughout filming. “I think that that song is probably my favorite song.”
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“Let Me Down Easy”
It’s no shock that the first monitor that Daisy and Billy really wrote collectively is a well-liked choose amongst the present’s government producers.
“I love that song. It is so catchy,” EP Lauren Neustadter says. “And I really love the way that we sort of discover the song over the course of Episode 5, and how we see all of the points of connection for Daisy and for Billy, and then obviously for Karen, Graham and the rest of the band.”
EP/director James Ponsoldt can also be a giant fan of “Let Me Down Easy,” describing it as “a total earworm.”
As for creator Taylor Jenkins Reid, on whose e-book the present relies, “I have moments where one song’s my favorite, and then I’m like, no, another song is my favorite,” Reid admits. “My daughter feels very, very strongly, at six-and-a-half years old, that ‘Regret Me’ is the best song on the album, and so sometimes we debate about it, because, lately, my favorite is ‘Let Me Down Easy’… I will sing it in the shower. That is how good I think it is.”
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“The River”
“I love ‘The River,’ which is the one that came onto the album last and has just stuck in my head the entire time,” co-showrunner Will Graham shares. “I remember when [executive music supervisor] Blake [Mills] came in with those lyrics… One of them was, ‘I’m an echo in your shadow,’ and it was [one of] those moments where a character blows up in the song for you, and you suddenly hear Daisy’s voice coming through these other voices. It was just incredibly exciting.”
Also becoming a member of “The River” bandwagon are Waterhouse (“It’s just got such a roaring chorus,” the actress raves), Nabiyah Be (aka Simone) and Camila Morrone (aka Billy’s spouse Camila), who describes Claflin and Keough’s belting as “very of that era.”
And since the music got here to life later in the music manufacturing course of, it was additionally like a breath of contemporary air for Keough. “I think we all loved ‘The River’ because it was a song that we got at the end. We’re like, ‘Oh, a new song we get to play,’ and it’s not the same ones we’ve been playing for three years or whatever,” Keough shares with fun.
But it wasn’t all enjoyable for the actress, who chosen it as her most difficult choose. “The end of ‘River’ [is], like, really psychotic,” Keough explains. “It’s, like, never-ending, and it’s a lot of screaming or yelling.”
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“Kill You to Try”
Sebastian Chacon and Josh Whitehouse, who painting drummer Warren and bassist Eddie, respectively, are each followers of “Kill You to Try,” which makes its debut in Episode 6.
“I love to play that song,” Chacon enthuses. “It’s, like, seven minutes, and there’s a bunch of different chapters to it, and it’s a very athletic drum part, where I’m reaching all around, and it’s just a crazy thing. By the end of it, I’m always sweating, and for that reason, I’m glad that we didn’t play it that that much in the show, because then I would’ve been knocked out. But I love that song.”
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“Regret Me”
Tom Wright, who performs music producer Teddy, gives up this spot-on clarification for why the Daisy-penned tune is his favourite: “Because the title says, ‘This is a life that I’ve lived.’”
“Regret Me” additionally will get shout-outs from Waterhouse and Morrone. “All the songs are amazing,” Waterhouse provides.
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“Ya Love Ain’t Enough”
Nabiyah Be “really liked to sing” the disco tune carried out by her character Simone in Episode 7, the actress says.
“We did a lot of work to make sure she sounded like the singers of the time, and not like me and my eclectic background,” Be provides. “I tried to do all my vocals live, but I don’t think all of that went in. But I was really trying to connect as much as I could to whichever extras we had that day, and whoever was there.”
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“Please”
Favorite isn’t the phrase that Claflin would use to explain the emotionally tormented music written by Billy, which is just heard briefly in the present however is included on the Aurora album.
“I’m never going to sing it ever again,” says the actor, singling it out as “the most difficult” for him to carry out as a result of “it is so high.”
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